Monthly Archives: October 2010

William Lamson Review, The New York Times

William Lamson | The New York Times >> “Mr. Lamson’s action has a sweet pathos about it: he’s a tiny man making his mark in the wilderness. There is an obliquely comical aspect, too, in the nostalgic effort to revive … Continue reading

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Zeller & Maier Review, L Magazine

Daniel Zeller & Ati Maier | L Magazine >> “Maier’s work remains partly rooted in figuration, as in the large-scale piece that gives her exhibition its title, “Giant Dipper” (2010), where thick, swooping lines of ink and airbrushed paints in … Continue reading

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Dawn Clements at Hales Gallery, London

Dawn Clements | Hales Gallery >> “Dawn Clements work often begins as a small drawing of a single figure, object or space from life, film or TV. To these more paper is often added making the process a very organic way … Continue reading

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Jonathan Schipper at Museum Tinguely Basel, Under Deconstruction

Jonathan Schipper | Museum Tinguely, Basel >> “Jonathan Schipper’s The Slow Inevitable Death of American Muscle (2007-2008), pits technology against itself in an allegory of obsolescence, consumption and destruction. The installation is comprised of two cars that slowly enact a … Continue reading

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Daniel Zeller at Pierogi

Incomplete Analysis 15 Oct – 14 Nov, 2010 Gallery 1 Opening Reception 15 Oct, 2010 7-9 pm

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William Lamson Review, The Brooklyn Rail

William Lamson | The Brooklyn Rail >> “Will Lamson’s work has never suffered from lack of conceptual focus—even if the imagery or form of a particular piece is atypical, it usually has his fingerprints all over it.”

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Ati Maier at Pierogi

Giant Dipper 15 Oct – 14 Nov, 2010 Gallery 2 Opening Reception 15 Oct, 2010 7-9 pm

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Press for David Scher’s “regular is best”

David Scher’s “regular is best” is a featured exhibition on WNYC Edward M. Gómez writes about Scher’s work in the October issue of Art & Antiques, “drawn together.”

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