Education
1989 Skowhegan School of Painting and Sculpture, Skowhegan, Maine
1981-1983 School of the Museum of Fine Arts, Boston, Massachusetts
1975-1980 B.A., Harvard University, Cambridge, Massachusetts
1989 Skowhegan School of Painting and Sculpture, Skowhegan, Maine
1981-1983 School of the Museum of Fine Arts, Boston, Massachusetts
1975-1980 B.A., Harvard University, Cambridge, Massachusetts
One-Person Exhibitions
2010
Michael Rosenthal Gallery, San Francisco, CA (January)
2009
Glad All Over, Pierogi, Brooklyn, NY (September 11–October 11)
Jane Fine: Paintings, Gallery of Contemporary Art, Middlebury College, VT
2008
World War Me, (J. Fiber collaborative drawing show with James Esber), Pierogi, Brooklyn, NY
Border Patrol, AR/Contempoary, Milan, Italy
2007
Skirmish, Pierogi, Leipzig, Germany (April 18–June 23)
2006
Shock and Awe, Barbara Davis Gallery, Houston, TX
Friendly Fire, Bernard Toale Gallery, Boston, MA
2004
After Sugar Time, Pierogi, Brooklyn, New York
Domo Gallery, Summit, New Jersey
2000
Pierogi, Brooklyn, New York
1996
Casey Kaplan, New York, N.Y.
1995
Casey Kaplan, New York, N.Y.
1993
Hudson Walker Gallery, Provincetown, Massachusetts.
1992
White Room, White Columns, New York, N.Y.
2010
Michael Rosenthal Gallery, San Francisco, CA (January)
2009
Glad All Over, Pierogi, Brooklyn, NY (September 11–October 11)
Jane Fine: Paintings, Gallery of Contemporary Art, Middlebury College, VT
2008
World War Me, (J. Fiber collaborative drawing show with James Esber), Pierogi, Brooklyn, NY
Border Patrol, AR/Contempoary, Milan, Italy
2007
Skirmish, Pierogi, Leipzig, Germany (April 18–June 23)
2006
Shock and Awe, Barbara Davis Gallery, Houston, TX
Friendly Fire, Bernard Toale Gallery, Boston, MA
2004
After Sugar Time, Pierogi, Brooklyn, New York
Domo Gallery, Summit, New Jersey
2000
Pierogi, Brooklyn, New York
1996
Casey Kaplan, New York, N.Y.
1995
Casey Kaplan, New York, N.Y.
1993
Hudson Walker Gallery, Provincetown, Massachusetts.
1992
White Room, White Columns, New York, N.Y.
Selected Group Exhibitions
2009
Eye World, Triple Candie, New York, NY (Catalogue)
Mutant Anxiety, Michael Rosenthal Gallery, San Francisco, CA
Cream, no sugar, Pierogi, Brooklyn, NY
Annual Biennial, Michael Rosenthal Gallery, San Francisco, CA
Content / Discontent, Friederike Taylor, New York, NY
2008
Pierogi et al, Daniel Weinberg Gallery, Los Angeles, CA
Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, NY
Curated by Dede Young (May 11–July 20)
Art on Paper, Weatherspoon Art Museum, Winston-Salem, North Carolina (Catalogue)
Apocalyptic Summer, Pierogi, Brooklyn, NY
2007
Ho Hum All Ye Faithful, Bran Lee Programs, New York, NY
2006
Innaugural Group Exhibition, PIEROGI Leipzig, Germany
Subverting the Status quo, Axis Gallery, Sacramento, CA
100 Artists, 100 Watercolors, Jeannie Freilich Fine Art, New York, NY
2005
New Turf, Robert Hull Fleming Museum, University of Vermont, Burlington, VT
Pie Fight, AR/Contemporary Gallery, Milan, Italy
Opening Bloom, Barbara Davis Gallery, Houston, TX
Reconfigure, Pierogi, Brooklyn, NY
Faculty Show, Usdan Gallery, Bennington College, Bennington, VT
American Obsessive Drawing, Völcker and Freunde, Berlin, Germany (Catalogue)
2004
Open House, Brooklyn Museum of Art, Brooklyn, N.Y.
Vacation Nation, Pierogi, Brooklyn, NY
2003
BAM Next Next Wave Art, curated by Dan Cameron, BAM, Brooklyn, NY
In Heat, Pierogi, Brooklyn, New York
My Mother’s An Artist, Educational Alliance Gallery, New York, NY
Works on Paper, Völcker & Freunde, Berlin, Germany
Paintings, Drawings, Sculptures, Greener Pastures Contemporary Art, Toronto, Ontario
Williamsburg, Central Connecticut State University, New Britain, Connecticut
2002
Hungry Eyes, Dalhousie Art Gallery, Halifax, Nova Scotia
25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, NY
Blobs, wiggles and dots, curated by Lucio Pozzi, The Work Space, New York
The Brooklyn Rail, Selection I, curated by Phong Bui, Wythe Studio, Brooklyn, NY
Touchy Feely, Eyewash @ The Front Room, Brooklyn, New York
Inter-sex-tion, DNA Gallery, Provincetown, MA
Need to Know Basis, Geoffrey Young Gallery, Great Barrington,MA
2001
Pop Science (3-person show), g-module, Paris, France
. New Prints, Fall 2001, International Print Center, New York, New York
Out of Hibernation, Im in Il, Brooklyn, New York
Compelled, Hunterdon Art Museum, Clinton, New Jersey
Small Works, Cape Museum of Fine Arts, Dennis, MA
Minimal to Excess, Bucheon Gallery, San Francisco, CA
2000
Haulin’ Ass, Post Gallery, Los Angeles, California
Superduper New York, Pierogi 2000, Brooklyn, NY
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro
@ , P.P.O.W., New York, NY
Multiple Sensations, Yerba Buena Center, San Francisco, CA
Selections, Eyewash, Brooklyn, NY
Drawing, Usdan Gallery, Bennington College, Bennington, Vermont
Yaddo Centennial/Friendships in Arcadia, Art in General, New York, NY and
The Hyde Collection, Glens Falls, New York
1999
Fields (3-person show), P.P.O.W., New York, New York
Hard Cell, Vilma Gold Gallery, London, England
1999
The Flat Files (Organized by Pierogi 2000), Rosenwald-Wolf Gallery, University of the
Arts, Philadelphia, PA
Valentine, Eyewash, Brooklyn, New York
Range, Chancellor’s Gallery, State University, Albany, New York
1998
Industrial Strength, Warehouse, Exit Art, New York, NY
Pierogi Goes to College, Vassar College, Poughkeepsie, NY
Pierogi, The Flat Files, Kunstlerhaus, Vienna, Austria
1997
Current Undercurrent, The Brooklyn Museum, Brooklyn, NY
Redefinition: A View from Brooklyn, California State University at Fullerton, CA
New York Drawers, Gasworks, London; traveled to Cornerhouse, Manchester
“…Just What Do You Think You’re Doing Dave?”, Williamsburg Art and Historical
Society, Brooklyn, NY
1996
Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, Missouri
Central Industrial Supply Show, Central Industrial Supply, New York, NY
1995
Jane Fine, Joanne Greenbaum, John-Paul Philippe, Arena, Brooklyn, NY
Wacko, The Work Space, New York, NY
Works for a Funhouse, E.S.Vandam, New York, NY
Other Rooms, Ronald Feldman Fine Art, New York, NY
Close Proximity, Marymount Manhattan College Gallery, New York, NY
1994
Paintings, Friedrich Petzel Gallery, New York, NY
The New Pop, Leo Tony Gallery, New York, NY
Spirit of New York, Spazio Emilo de Marchi, Milan, Italy
Atelier 94, Florence Lynch Fine Art Projects, New York, NY
Crest Hardware Show, Brooklyn, NY
Animated, Art in General, New York, NY
1993
Pure Pop for Now People, Jack Tilton Gallery, New York, NY
1992
Update 1992, White Columns, New York, NY
The Salon Show, Art in General, New York, NY
Salon of the Mating Spiders, Herron Test Site, Brooklyn, NY
1991
High Density Abstraction, Procter Art Center, Bard College, Annandale-on-Hudson, NY
1988
Selections 42, The Drawing Center, New York, NY
2009
Eye World, Triple Candie, New York, NY (Catalogue)
Mutant Anxiety, Michael Rosenthal Gallery, San Francisco, CA
Cream, no sugar, Pierogi, Brooklyn, NY
Annual Biennial, Michael Rosenthal Gallery, San Francisco, CA
Content / Discontent, Friederike Taylor, New York, NY
2008
Pierogi et al, Daniel Weinberg Gallery, Los Angeles, CA
Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, NY
Curated by Dede Young (May 11–July 20)
Art on Paper, Weatherspoon Art Museum, Winston-Salem, North Carolina (Catalogue)
Apocalyptic Summer, Pierogi, Brooklyn, NY
2007
Ho Hum All Ye Faithful, Bran Lee Programs, New York, NY
2006
Innaugural Group Exhibition, PIEROGI Leipzig, Germany
Subverting the Status quo, Axis Gallery, Sacramento, CA
100 Artists, 100 Watercolors, Jeannie Freilich Fine Art, New York, NY
2005
New Turf, Robert Hull Fleming Museum, University of Vermont, Burlington, VT
Pie Fight, AR/Contemporary Gallery, Milan, Italy
Opening Bloom, Barbara Davis Gallery, Houston, TX
Reconfigure, Pierogi, Brooklyn, NY
Faculty Show, Usdan Gallery, Bennington College, Bennington, VT
American Obsessive Drawing, Völcker and Freunde, Berlin, Germany (Catalogue)
2004
Open House, Brooklyn Museum of Art, Brooklyn, N.Y.
Vacation Nation, Pierogi, Brooklyn, NY
2003
BAM Next Next Wave Art, curated by Dan Cameron, BAM, Brooklyn, NY
In Heat, Pierogi, Brooklyn, New York
My Mother’s An Artist, Educational Alliance Gallery, New York, NY
Works on Paper, Völcker & Freunde, Berlin, Germany
Paintings, Drawings, Sculptures, Greener Pastures Contemporary Art, Toronto, Ontario
Williamsburg, Central Connecticut State University, New Britain, Connecticut
2002
Hungry Eyes, Dalhousie Art Gallery, Halifax, Nova Scotia
25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, NY
Blobs, wiggles and dots, curated by Lucio Pozzi, The Work Space, New York
The Brooklyn Rail, Selection I, curated by Phong Bui, Wythe Studio, Brooklyn, NY
Touchy Feely, Eyewash @ The Front Room, Brooklyn, New York
Inter-sex-tion, DNA Gallery, Provincetown, MA
Need to Know Basis, Geoffrey Young Gallery, Great Barrington,MA
2001
Pop Science (3-person show), g-module, Paris, France
. New Prints, Fall 2001, International Print Center, New York, New York
Out of Hibernation, Im in Il, Brooklyn, New York
Compelled, Hunterdon Art Museum, Clinton, New Jersey
Small Works, Cape Museum of Fine Arts, Dennis, MA
Minimal to Excess, Bucheon Gallery, San Francisco, CA
2000
Haulin’ Ass, Post Gallery, Los Angeles, California
Superduper New York, Pierogi 2000, Brooklyn, NY
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro
@ , P.P.O.W., New York, NY
Multiple Sensations, Yerba Buena Center, San Francisco, CA
Selections, Eyewash, Brooklyn, NY
Drawing, Usdan Gallery, Bennington College, Bennington, Vermont
Yaddo Centennial/Friendships in Arcadia, Art in General, New York, NY and
The Hyde Collection, Glens Falls, New York
1999
Fields (3-person show), P.P.O.W., New York, New York
Hard Cell, Vilma Gold Gallery, London, England
1999
The Flat Files (Organized by Pierogi 2000), Rosenwald-Wolf Gallery, University of the
Arts, Philadelphia, PA
Valentine, Eyewash, Brooklyn, New York
Range, Chancellor’s Gallery, State University, Albany, New York
1998
Industrial Strength, Warehouse, Exit Art, New York, NY
Pierogi Goes to College, Vassar College, Poughkeepsie, NY
Pierogi, The Flat Files, Kunstlerhaus, Vienna, Austria
1997
Current Undercurrent, The Brooklyn Museum, Brooklyn, NY
Redefinition: A View from Brooklyn, California State University at Fullerton, CA
New York Drawers, Gasworks, London; traveled to Cornerhouse, Manchester
“…Just What Do You Think You’re Doing Dave?”, Williamsburg Art and Historical
Society, Brooklyn, NY
1996
Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, Missouri
Central Industrial Supply Show, Central Industrial Supply, New York, NY
1995
Jane Fine, Joanne Greenbaum, John-Paul Philippe, Arena, Brooklyn, NY
Wacko, The Work Space, New York, NY
Works for a Funhouse, E.S.Vandam, New York, NY
Other Rooms, Ronald Feldman Fine Art, New York, NY
Close Proximity, Marymount Manhattan College Gallery, New York, NY
1994
Paintings, Friedrich Petzel Gallery, New York, NY
The New Pop, Leo Tony Gallery, New York, NY
Spirit of New York, Spazio Emilo de Marchi, Milan, Italy
Atelier 94, Florence Lynch Fine Art Projects, New York, NY
Crest Hardware Show, Brooklyn, NY
Animated, Art in General, New York, NY
1993
Pure Pop for Now People, Jack Tilton Gallery, New York, NY
1992
Update 1992, White Columns, New York, NY
The Salon Show, Art in General, New York, NY
Salon of the Mating Spiders, Herron Test Site, Brooklyn, NY
1991
High Density Abstraction, Procter Art Center, Bard College, Annandale-on-Hudson, NY
1988
Selections 42, The Drawing Center, New York, NY
Awards & Fellowships
2008 New York Foundation for the Arts, Fellowship in Painting
2001 Pollock-Krasner Foundation Grant
2001 Yaddo, Sally and Milton Avery Residency, Saratoga Springs, New York
1998 Cité Internationale des Artes, Residency, Paris, France
1998, 1996 Yaddo, Summer Residency, Saratoga Springs, New York
1994 New York Foundation for the Arts, Visual Artists Fellowship
1992-1993 Fine Arts Work Center, Fellowship, Provincetown, Massachusetts
1990 Millay Colony for the Arts, Austerlitz, New York
1989 National Endowment for the Arts, Visual Artists Fellowship
2008 New York Foundation for the Arts, Fellowship in Painting
2001 Pollock-Krasner Foundation Grant
2001 Yaddo, Sally and Milton Avery Residency, Saratoga Springs, New York
1998 Cité Internationale des Artes, Residency, Paris, France
1998, 1996 Yaddo, Summer Residency, Saratoga Springs, New York
1994 New York Foundation for the Arts, Visual Artists Fellowship
1992-1993 Fine Arts Work Center, Fellowship, Provincetown, Massachusetts
1990 Millay Colony for the Arts, Austerlitz, New York
1989 National Endowment for the Arts, Visual Artists Fellowship
Bibliography
2008
“Jane Fine: Border Patrol,” USB Magazine, February, p. 48.
“Jane Fine: Border Patrol,” Exhibart.com, January.
2005
Pamela Polston, “Finding Her Place,” Seven Days, July 13.
Benjamin Genocchio, “What is War Good For? Art,” The New York Times, January 9.
2004
Ken Johnson, “Jane Fine ‘After Sugar Time’,” The New York Times, April 2. p.
Holland Cotter, “Brooklyn-ness, a State of Mind and Artistic Identity in the Un-Chelsea,”
The New York Times, April 16. p. E36
Stephen Maine, “Dateline Brooklyn,” artnet.com reviews, April 14
2003
“My Mother’s An Artist,” The New Yorker, May 26, 2003
Sarah Hartland-Rowe, “Around and About Painting,” Border Crossings, Vol. 22, No. 1, Issue 85
Sarah Hollenberg, “Hungry Eyes,” The Brooklyn Rail, Winter 2003
“Hungry Eyes,” Arts Atlantic, Winter 2003
2002
Elissa Barnard, “Abstract Art New Again,” Halifax Herald Ltd., November 17 2002
Monica Tap, “Hungry Eyes” (catalog essay), Dalhousie Art Gallery, Nova Scotia, 2002
Holland Cotter, “Last Chance: The Brooklyn Rail: Selection 1,” The New York Times, Mar 1, 2002 Faye Hirsch, “Working Proof: Jane Fine,” Art on Paper, Vol. 6, Number 4, March–April, 2002
2001
Dan Bischoff, “The Labor Defines the Art in Hunterdon,” Newark Star Ledger, Sept. 30, 2001 Audrey Techer, “Americans in Paris,” Post: Review of Contemporary Art, No. 5, February 2001 James Kalm, “Jane Fine @ Pierogi,” NY Arts, Volume 6, Number 1, January 2001
Giovanni Garcia-Fenech, “Brooklyn Spice,” Artnet.com/Magazine, January 5, 2001
2000
Holland Cotter, “For Hikers Seeking Art Brooklyn is a Left Bank,” The New York Times, Dec. 15
Galleries–Brooklyn: Jane Fine, The New Yorker, November 27, 2000
Dorothy Krawoska, “A Brief Look at Jane Fine’s Recent Show at Pierogi,” Wburg.com, Dec. 21
Rachel Youens, “The Local Scene,” The Brooklyn Rail, Issue 43/44, Dec./Jan. 2000/2001.
Carol Vogel, “Inside Art,” The New York Times, June 9, 2000
1997
Cathy Curtis, “A Bridge to Brooklyn,” The Los Angeles Times, November 18, 1997
Daniella Walsh, “Brooklyn Art Pays a Visit to Fullerton,” The Orange Country Register, Nov. 23
1996
Roberta Smith, “Palettes Full of Ideas About What Painting Should Be,” The New York Times,
Nov. 1
1995
Roberta Smith, “Art in Review: Jane Fine,” The New York Times, April 14, 1995
Stuart Servetar, “Jane Fine,” New York Press, April 12, 1995
1994
Stuart Servetar, “The New Pop,” New York Press, July 6, 1994
“In volo “spiriti” newyorkesi,” Lombardia Oggi, June 26, 1994
Marina Mojana, “Scoprendo l’America a Milano,” Il Sole 24 Ore, June 19, 1994
Stuart Servetar, “Animated,” New York Press, June 1, 1994
“Lo Spirito di New York,” L’Informazione, June 14, 1994
1993
Roberta Smith, “Shades of a Rebirth for Painting,” The New York Times, June 18, 1993
Kim Levin, “Choices,” Village Voice, June 23, 1993
2008
“Jane Fine: Border Patrol,” USB Magazine, February, p. 48.
“Jane Fine: Border Patrol,” Exhibart.com, January.
2005
Pamela Polston, “Finding Her Place,” Seven Days, July 13.
Benjamin Genocchio, “What is War Good For? Art,” The New York Times, January 9.
2004
Ken Johnson, “Jane Fine ‘After Sugar Time’,” The New York Times, April 2. p.
Holland Cotter, “Brooklyn-ness, a State of Mind and Artistic Identity in the Un-Chelsea,”
The New York Times, April 16. p. E36
Stephen Maine, “Dateline Brooklyn,” artnet.com reviews, April 14
2003
“My Mother’s An Artist,” The New Yorker, May 26, 2003
Sarah Hartland-Rowe, “Around and About Painting,” Border Crossings, Vol. 22, No. 1, Issue 85
Sarah Hollenberg, “Hungry Eyes,” The Brooklyn Rail, Winter 2003
“Hungry Eyes,” Arts Atlantic, Winter 2003
2002
Elissa Barnard, “Abstract Art New Again,” Halifax Herald Ltd., November 17 2002
Monica Tap, “Hungry Eyes” (catalog essay), Dalhousie Art Gallery, Nova Scotia, 2002
Holland Cotter, “Last Chance: The Brooklyn Rail: Selection 1,” The New York Times, Mar 1, 2002 Faye Hirsch, “Working Proof: Jane Fine,” Art on Paper, Vol. 6, Number 4, March–April, 2002
2001
Dan Bischoff, “The Labor Defines the Art in Hunterdon,” Newark Star Ledger, Sept. 30, 2001 Audrey Techer, “Americans in Paris,” Post: Review of Contemporary Art, No. 5, February 2001 James Kalm, “Jane Fine @ Pierogi,” NY Arts, Volume 6, Number 1, January 2001
Giovanni Garcia-Fenech, “Brooklyn Spice,” Artnet.com/Magazine, January 5, 2001
2000
Holland Cotter, “For Hikers Seeking Art Brooklyn is a Left Bank,” The New York Times, Dec. 15
Galleries–Brooklyn: Jane Fine, The New Yorker, November 27, 2000
Dorothy Krawoska, “A Brief Look at Jane Fine’s Recent Show at Pierogi,” Wburg.com, Dec. 21
Rachel Youens, “The Local Scene,” The Brooklyn Rail, Issue 43/44, Dec./Jan. 2000/2001.
Carol Vogel, “Inside Art,” The New York Times, June 9, 2000
1997
Cathy Curtis, “A Bridge to Brooklyn,” The Los Angeles Times, November 18, 1997
Daniella Walsh, “Brooklyn Art Pays a Visit to Fullerton,” The Orange Country Register, Nov. 23
1996
Roberta Smith, “Palettes Full of Ideas About What Painting Should Be,” The New York Times,
Nov. 1
1995
Roberta Smith, “Art in Review: Jane Fine,” The New York Times, April 14, 1995
Stuart Servetar, “Jane Fine,” New York Press, April 12, 1995
1994
Stuart Servetar, “The New Pop,” New York Press, July 6, 1994
“In volo “spiriti” newyorkesi,” Lombardia Oggi, June 26, 1994
Marina Mojana, “Scoprendo l’America a Milano,” Il Sole 24 Ore, June 19, 1994
Stuart Servetar, “Animated,” New York Press, June 1, 1994
“Lo Spirito di New York,” L’Informazione, June 14, 1994
1993
Roberta Smith, “Shades of a Rebirth for Painting,” The New York Times, June 18, 1993
Kim Levin, “Choices,” Village Voice, June 23, 1993
Teaching Experience
2003
Adjunct Assistant Professor, Rhode Island School of Design, Providence, Rhode Island
2002
Adjunct Assistant Professor, State University of New York at New Paltz
Adjunct Assistant Professor, Vassar College, Poughkeepsie, New York
Visiting Artist, Tyler School of Art, Philadelphia, Pennsylvania
2001
Instructor, Summer Program, Fine Arts Work Center, Provincetown, Massachusetts
1999-2000
Adjunct Assistant Professor, Purchase College, State University of New York
2000
Visiting Artist, Princeton University, Princeton, New Jersey
2000
Visiting Artist, Bennington College, Bennington, Vermont
1997-1999
Visiting Assistant Professor of Painting, School of Art and Design, New York State
College of Ceramics at Alfred University, Alfred, New York
1997
Noguchi Museum, Artist-in-the-Schools Program, Queens, New York
1996
Visiting Artist, University of Massachusetts at Boston
Guest Lecturer, New School for Social Research, New York, N.Y.
1995
Guest Lecturer, Parsons School of Design, New York, N.Y.
2003
Adjunct Assistant Professor, Rhode Island School of Design, Providence, Rhode Island
2002
Adjunct Assistant Professor, State University of New York at New Paltz
Adjunct Assistant Professor, Vassar College, Poughkeepsie, New York
Visiting Artist, Tyler School of Art, Philadelphia, Pennsylvania
2001
Instructor, Summer Program, Fine Arts Work Center, Provincetown, Massachusetts
1999-2000
Adjunct Assistant Professor, Purchase College, State University of New York
2000
Visiting Artist, Princeton University, Princeton, New Jersey
2000
Visiting Artist, Bennington College, Bennington, Vermont
1997-1999
Visiting Assistant Professor of Painting, School of Art and Design, New York State
College of Ceramics at Alfred University, Alfred, New York
1997
Noguchi Museum, Artist-in-the-Schools Program, Queens, New York
1996
Visiting Artist, University of Massachusetts at Boston
Guest Lecturer, New School for Social Research, New York, N.Y.
1995
Guest Lecturer, Parsons School of Design, New York, N.Y.