brian conley   art33basel statements fragments vernissage: 11 june 2002, 6-9p fair dates: 12 - 17 june 2002, 11-7p daily           Fragments viewer activated computer projection, 2002. Digital master. edition of 5. above images top left: drawing of installation, pencil on paper, 11 x 8.5 inches, 2001 top right: installation shot, documentation bottom: still of Rana/Felis (frog/cat) brain graft   project description This project consists of an incomplete set of elements from a science fiction movie; fragments lost, dispersed, but now found. Unlike earlier science fiction, which attempts to project some utopian or dystopian vision into the future, this movie is from the future and projects into the past to a time that is roughly now. The specific content and narrative of this movie are unknown, except for the available fragments (images, soundtracks and an unusual method of presentation). The movie may possibly be a thought experiment that imagines the production of new forms of intelligence and consciousness, a new future, through the alteration and grafting of animal brains. This movie uses a form of presentation that is not currently in use, one that involves the active interplay of the audience. Instead of sitting in seats and passively watching the movie, the viewers actively construct it through their collective movements which are overseen by a camera focused on them. The imagery consists of sixteen gray computer models of animal brains, brain parts or brain grafts. These are projected onto a wall, one by one, in large scale. The spectator's movement through the exhibition space triggers which image is projected. When an image is triggered, it begins to spin on a vertical axis and a distinctive recording begins to play, looping continuously until the spectator decides to move. When the spectator moves to another location, the previous image and soundtrack morph into a new image and soundtrack. When there are several spectators, the computer makes a calculation of their collective activity. The soundtracks have a curious relation to the imagery. Some may include recordings of electromagnetic brain activity made from Delgado-like implants. A few seem familiar and may be taken from known science fiction movies. In any case, as a group, they appear to be samples of a continuous soundtrack that sets the tone and mood of the unknown narrative. Technical Requirements: This piece requires two Mac G4 computers (or one with a dual processor), a video camera, a computer projector and a sound system. The images are projected across a wall, with the rest of the room in dim light. The wall projection is responsive to the viewer's movement through the exhibition space by way of the video camera mounted on the ceiling. –Brian Conley     to view pseudanuran gigantica, art 33 basel, art unlimited and other work by brian conley     artist bio selected projects 2001 Group Show, "BitStreams," Whitney Museum of American Art, New York Group Show "Marks of Omission," Arthouse, Dublin Solo Show / Residency, ArtPace Foundation for Contemporary Art, San Antonio, Texas Compilation, Audio CD, "BitStreams," JdK Productions, Amsterdam Installation, Stockholm Art Fair, Stockholm Senior Editor (with Sina Najafi), Cabinet Magazine, issues 2 through 6. 2000 Solo Show, "Xenotransplantation," Anthony Wilkinson Gallery, London Solo Show, "Xenotransplantation," Zinc Gallery, Stockholm Co-Director and Co-Editor (with Sina Najafi), Immaterial Incorporated, a non-profit organization for art and culture which produces Cabinet a quarterly magazine; a series of audio CD's of sound art; a CD-Rom series of artist projects and cultural issues. Group Show, "War/Art/New Technologies" exhibition and conference curated by Trebor Scholz, Portland Compilation, Audio CD, "Architecture of the Incidental" edited by Geoff Dugan, text by Allen Weiss Video,"WT," Zingmagazine, New York Group Show, Pierogi Gallery traveling exhibition, Yeurba Buena Center, San Francisco ("Multiple Sensations"); Post Gallery, Los Angeles ("Haulin' Ass, Pierogi in LA"); Block Artspace, Kansas City 1999 Radio Performance, "WAR!" a live interactive performance between New York (WBAI) and Belgrade, Serbia (Radio B2-92), organized with Sina Najafi and Immaterial Incorporated. Co-Curator (with Sina Najafi), "Heap of Language: Robert Smithson and Poetry" Whitney Museum at Philip Morris, New York Installation, Stetson University, Florida Group Show,"Rage for Art," Pierogi 2000 Gallery, New York Radio Broadcast, French National Radio, "On the State of Experimental Sound Art," edited by Allen Weiss, Paris Radio Broadcast, Austrian National Radio, "Other Voices: Echoes From a War Zone" curated by Gordon Paunovic of Radio B2-92 Belgrade, Serbia, April 29, 1999, Vienna 1998 Installation, "Wild/Life" curated by Amy Cappellazzo, Weatherspoon Art Gallery, Greensboro, North Carolina Editor, "New Splendid III" a compilation of audio art and music Compilation, audio CD, "Psychogeographical Dip" edited by Geoff Dugan 1997 Sound Installation, American Composers Forum, Sonic Circuits traveling festival. Installation (co-curated with Joe Amrhein) "Robert Smithson's Dead Tree" Pierogi 2000 Gallery with John Weber Gallery, New York Editor (with Joe Amrhein), exhibition catalog, "Robert Smithson: a Collection of Writings on the Occasion of the Installation of Dead Tree at Pierogi 2000," New York Group Show, "2001; Just What Do You Think You're Doing, Dave?" curated by Bruce Pearson, Williamsburg Art Center, New York Group Show, "Current/Undercurrent," curated by Charlotta Kotik and Joe Amrhein, Brooklyn Museum, New York 1996 Installation, "Kunstart 96," Bochenheimer Depot, Frankfurt, Germany Group Show, "New York Artists," Galerie Guth & Maas, Reutlingen (Stuttgart), Germany Radio Performance, "WAR!" interactive broadcast between WKCR (Columbia University Radio) New York and WFMU New Jersey Installation, "(constriction)" a collective sound installation, Pierogi 2000, New York Installation, "(constriction," Art Exchange Show, Wall Street, New York Group Show, curated by David Scher, Jack Tilton Gallery, New York Group Show, "Fictional Archives - Four Walls," Leung Institute, Oslo, Norway Group Show, "Dissociationism," Four Walls, New York 1995 Solo Show, "Superior / (Cranial)," Pierogi 2000 Gallery, New York Group Show, "Multiples," Pierogi 2000, New York grants and awards 2001 ArtPace Foundation for Contemporary Art, San Antonio, Texas 1997 International Art Critics Association/U.S.A., Awarded "Robert Smithson's Dead Tree" one of the best exhibitions in the U.S. for 1996-97 1989 National Endowment for the Arts, Fellowship, New York New York Foundation for the Arts, Fellowship, New York 1982 University of Minnesota, Fellowship, Philosophy, Minneapolis 1978 Whitney Museum, Helena Rubinstein Grant, Painting, New York 1971-73 National Science Foundation, Research Assistantship, Experimental Psychology, Wash. D.C. teaching 1999 Parsons School of Design, Graduate Program in Sculpture, New York 1997 University of Pennsylvania, Visiting Lecturer, Graduate Program in Sculpture, Philadelphia 1982-86 Parsons School of Design, Instructor, Theory and Fine Arts, New York 1982-83 New York University, Instructor, Philosophy, New York 1978-81 University of Minnesota, Instructor, Philosophy, Minneapolis publications 1999 Catalog Essay, "Birth of a Notion?" Kunst Als Teamwork, curator - Marion Piffer-Damiani, Kunsthalle, Vienna 1997 Catalog Introduction and Co-Editor, "Robert Smithson's Dead Tree," Pierogi 2000, New York 1996 Review, "Dissociationism," Zingmagazine, New York Catalog Essay, Joe Amrhein at Earl McGrath Gallery, New York "WAR!" WKCR On Air Program Guide, Feb vol xii, No.2, Columbia University, New York 1995 Catalog Essay, David Scher at Pierogi 2000 Gallery, New York 1985 Doctoral Dissertation in Philosophy, "Theories of Pictorial Representation: Nelson Goodman's Relativism and the Similarity Theory," University of Minnesota education 1975-85 PhD in Philosophy, University of Minnesota, Minneapolis 1979-81 MFA in Sculpture, University of Minnesota, Minnneapolis 1978 Independent Study Program, Whitney Museum, New York 1971-74 BA in Psychology, State University of New York, Binghamton bibliography 2001 ArtNews, June; Associated Press, Miranda Leitsinger, June; The Wire, Christof Cox, London, June 2000 Time Out, London; New York Arts, Brian Holmes; Henrik Tiselius, Tva utstellningar värda en extra promenad, Östermalm Tidningen, Stockholm; MŒrten Castenfors, Under hajhjärna och i en kulturmotor, Svenska Dagbladet, Stockholm; Nils Forsberg, Brian Conley, Nöjes Guiden, 13.05.00, Stockholm; Anders Olofsson, GŒ och Se!, Konsten (www.ao-ordbod.a.se), Stockholm; Daniel Boo, Brian Conley, www.alltomstockholm.se/kultur, Stockholm; Marie Helen Høvik, Brian Conley, www.artaround.se, Stockholm. 1999 Book, Unnatural Horizons, Allen S. Weiss, Princeton Architectural Press, New Jersey. 1998 Catalog, Wild/Life, Amy Cappolozzo curator, Weatherspoon Gallery, Greensboro, North Carolina.; Artforum, Frances Richards, February, New York 1997 New York Times, May, Roberta Smith; Catalog, Kunstart 96, Frankfurt; Germany; Printz Magazine, October, Frankfurt, Germany; Frieze Magazine, David A. Greene, London, England; Review Magazine, Matt Freedman, May 15, New York; Time Out, May , New York 1996 Art Press, Paris, France; New York Times, (constriction), Neil Strauss; New York Times Sunday Magazine, Ellen Pall 1993 Catalog, Arc + Film International Festival, Graz, Austria; ArtVoice, vol 4, #23, Nov 1993, Buffalo, New York; 1992 Book, Angry Graphics: Protest Posters of the Reagan Bush Era, edited by Steven Heller and Karrie Jacobs, Gibbs Smith Publishing, Utah; 1980 Christian Science Monitor, Theodore Wolff, Washington, D.C. panelist, lecturer, visiting artist 1999 Postmasters Gallery, interview/performance with William Pope L., New York Stetson University, Visiting Artist, Program in Digital Arts, Florida 1998 Brooklyn Museum, Lecturer, New York Parsons School of Design, Lecturer, Graduate Program in Sculpture, New York 1997 Gasworks Gallery, Panelist, London Cornerhouse Gallery, Panelist, Manchester, England 1979 Minneapolis College of Art and Design, Lecture, Minnesota
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	P   I   E   R   O   G   I     2   0   0   0 177 north 9th street brooklyn, ny 11211 718.599.2144 noon to 6p friday through monday and by appointment pierogi 2000 is an innovative art gallery in williamsburg, brooklyn, new york