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Jonathan Herder
stampology
23 may - 23 june, 2003
opening friday, 23 may, 7-9p

stampographic panorama (detail),
2003
collaged stamps, ink on paper
60 x 16 inches
sold

stampographic panorama, 2003
collaged stamps, ink on paper
60 x 16 inches

untitled (brown desert stampscape
- self-regeneration), 2002
stamp collage on paper
14 x 17 inches
sold

untitled (brown desert stampscape
- self-regeneration), detail, 2002
stamp collage on paper
14 x 17 inches

falling branch, 2002
stamp collage on paper

d.c.b.c., 2003
stamp collage on paper
press release
In Stampology, the postage
stampa recurrent element throughout Jonathan Herder's work over
many yearsis offered full embrace. These most recent worksutilizing
U.S. stamps printed primarily between the 1940's and 1970'sare collaged
from minute dissected and recombined fragments. Emphasizing the pastoral
landscape, these works carry forth some of the topical idealism native
to the source material. Despite ostensible evocations of beauty and grandeur,
they seem to evoke a vague air of peril through these diminutive windows
onto the mythic American landscape, pitting the individual against the
vast indifference of unbridled space. Herder's predilection for "liberating
the graphic potency of the monumental from the mundane confines of bureaucratic
purpose so as to allow a less gravitational flirtation with seductive
states of certainty, the sublime, and the heroic" is in evidence
in the other works in this show, including taxonomical charts 'outlining'
formal conditions of didacticism, or "grounds for certainty."
(Herder, 2003)
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