Kim Jones
	Kim Jones' work will be included in the upcoming 17th Sydney Biennial, The Beauty of Distance: Songs of Survival In a Precarious Age (Opening May 2010) Jones is a 2009 United States Artist Fellow VENICE HIGH 12 February – 14 March, 2010 Click on thumbnails to view larger images and here for installation views Scroll down for press release and biography Click here to view additional works Venice High | Press Release Pierogi is pleased to present an exhibition of recent work by Kim Jones. Jones was born in San Bernardino, CA, and his work grew out of the Southern California performance art scene of the 1970s. His contemporaries there were Paul McCarthy and Chris Burden, and he was influenced by the work of artists such as Bruce Nauman and Eva Hesse. Jones' work incorporates performance, sculpture, drawing, and painting. He became known early on for his performance persona, “Mudman,” and could be seen walking the streets of Los Angeles and Venice, CA during the 1970s, and then during the 1980s in New York City and New York's subway system, covered in mud, and wearing on his back a crudely constructed lattice-work structure of sticks, tape, and twine, his face covered with a nylon stocking. Throughout this time he was consistently developing drawings and paintings on paper. His works on paper range from intricate graphite drawings involving “X” and “O” figures and erasure indicating movement of each force (referred to as war drawings), to works that incorporate photography, acrylic paint, ink line work, and collage, many of which have been made over a period of thirty years. Over the years Jones has developed a language of materials and marks: sticks, mud, twine, rats, and “X” and “O” symbols. “Mudman,” and other figures that resemble the performance persona, inhabit his elegant and simultaneously grotesque drawings and paintings. Time has always been an important element for Jones but in this new body of work he stretches the timeline to its fullest potential within his lifetime, working over drawings he made at the age of fourteen. The tentative hand and line of the 14-year-old shares the page with the experienced line of the same artist some fifty years later. While other artists might choose to jettison or hide away their schoolboy drawings, Jones works to incorporate them into his present-day practice; he neither wishes to discard the past nor let anything go to waste. He seeks at every turn to meld new and old, to connect his line of thinking from, in this instance, 1958 through to 2010. This exhibition will feature a series of drawings and paintings on paper that incorporate these early drawings as well as early performance documentation. It will also feature sculptural works incorporating wigs and acrylic paint. These pieces resemble flattened scalps or skins and integrate Jones' familiar war drawings. As Jones' painted war jackets operate as extensions of the body, these wigs are extensions of Jones' performative vernacular. “...[D]eparting from the example of Joseph Beuys and other would-be modern shamans, Jones offers no healer's nostrums, no utopian alternatives to the ongoing strife that both surrounds and emanates from us. In just such times, and we seem never to get beyond them-with the result that the artist's larger themes are always current, indeed urgent, and never fade as the topical, no matter how searing, inevitably does-Jones' art counters with authenticity and eccentric grace.” (Robert Storr, Mudman: The Odyssey of Kim Jones, 2007) Kim Jones is a 2009 recipient of a United States Artists Fellowship. His work was recently included in the Museum of Modern Art (NYC) exhibition, Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection and will be included in the upcoming 17th Sydney Biennial, The Beauty of Distance: Songs of Survival In A Precarious Age. He has received fellowships and residencies from ArtPace (San Antonio, TX), the Sirius Art Center (Ireland), the American Academy in Rome and, the Mattress Factory (Pittsburgh, PA). His work has been included in such notable exhibitions as Collage: The Unmonumental Picture at the New Museum (NYC, 2008); the 52nd International Art Exhibition La Biennale di Venezia (2007); Disparities & Deformations: Our Grotesque, Site Santa Fe (2004), and; Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles, CA and MAK, Vienna (1998). His work was recently the subject of a comprehensive traveling retrospective, Mudman: The Odyssey of Kim Jones. Biography Born 1944 San Bernardino, California Education 1972-73 MFA, Otis Art Institute, Los Angeles, CA 1969-71 BFA, California Institute of Arts, Los Angeles, CA 1964-1966 California Institute of Arts, Los Angeles, CA SELECTED SOLO EXHIBITIONS, INSTALLATIONS, PERFORMANCES 2010 Venice High, Pierogi, Brooklyn, NY (February–March) 2008 Year of the Rat, Pierogi, Brooklyn, NY (February 8–March 10) 2006-08 Kim Jones: ARetrospective. Curated by Sandra Firmin and Julie Joyce UB Art Gallery, Buffalo, NY (October 19–December 17, 2006) Luckman Gallery, Cal State Los Angeles (March 2007) Henry Art Gallery, Seattle, WA (October 20, 2007–January 27, 2008) 2007 Pierogi Leipzig, Germany (One-person) (April 28–June) 2006 USMC 2241903, Zeno X, Antwerp, Belgium (January 26–March 10) (One-person) The Drawing Center, January 31. Performance 2005 War Paint, Pierogi, Brooklyn, NY (catalogue) (One-person) 2004 Escape from Flatland, Pierogi, Brooklyn, NY (6 February – 15 March). Catalogue Kim Jones, Zeno X, Antwerp, Belgium (One-person) 2003 Flatland Wars, Artpace, San Antonio, TX (13 November, 2003–25 January, 2004) Kim Jones: Dressing Room, Sirius Arts Centre, Cobh, Ireland 2002 Kim Jones: Works on Paper, Pierogi, Brooklyn, NY (One-person) 1999 A Cripple in the Right Way May Beat a Racer in the Wrong One, John Weber Gallery, New York, NY 1997 You Won’t Be Happy Till I’m In a Box, John Weber Gallery, New York, NY 1992 AC Project, New York, NY (installation) 1991 Men’s Room, Lorence Monk Gallery, New York, NY (March) David and the Giant, Pat Hearn Gallery, New York, NY Furkart 1991, Furkapasshöhe, Switzerland Gulliver’s Travels, Galerie Sophia Ungers, Köln, Germany Drawings, Lorence Monk Gallery, New York, NY 1990 Mattress Factory, Pittsburgh, PA (installation and performance) Ash Line, Lincoln Center Out-of-doors New York. (performance with Leonard Titzer) Sponsored by Creative Time Kim Jones, Lorence Monk Gallery, New York, NY 1988 Lorence Monk Gallery, New York, NY 1983 Don’t Cry for Me Argentina, P.S.1 Contemporary Art Center, Long Island City, NY Here’s Icarus, P.S.1, Long Island City, NY 1980 Plant Wars, L.A.I.C.A. (window), Los Angeles, CA 1979 Window Dummy, Artworks, Venice, CA (performance) 1978 Telephone Pole, Los Angeles, CA (various performances) 1976 Wilshire Boulevard Walk, (sunrise to sunset, January 28; sunset to sunrise, February 4) CARP, Los Angeles, CA Rat Piece, California State Fine Arts Gallery, Los Angeles, CA 1975 Oktoberfest, (sunrise to sunset, October 19), R. Mutt Gallery, Mount Pinos, CA 1974 Mudman, Los Angeles, CA (performance) SELECTED GROUP EXHIBITIONS, INSTALLATIONS, PERFORMANCES 2010 17th Biennale of Sydney: The Beauty of Distance–Songs of Survival in a Precarious Age, Sydney, Australia (12 May–1 August). Artistic Director, David Elliot 2009 Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, NY (April 22, 2009–January 4, 2010) The Third Mind: American Artists Contemplate Asia, 1860–1989, The Guggenheim, New York, NY Curated by Alexandra Munroe. January 30–April 19 All Over the Map, Kohler Arts Center, Sheboygan, WI (February 15–May 10) Cream, no sugar, Pierogi, Brooklyn, NY (June–July) 2008 Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, NY Curated by Dede Young (May 11–July 20) Collage: The Unmonumental Picture, The New Museum, New York, NY (January 16–March 30) Curated by Richard Flood, Laura Hoptman and Massimiliano Gioni. Art is a fight to the finish in black and white, Zeno X, Antwerp (January 9–March 8) Apocalyptic Summer, Pierogi, Brooklyn, NY (June–July) 2007 New York: State of Mind,”The House of World Cultures, Berlin, Germany. Curated by Shaheen Merali (Upcoming: August 24–November 4) Block Party II: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA (June 30–Aug 18) 52nd International Art Exhibition La Biennale di Venezia 2007, Venice, Italy Curated by Robert Storr. June 10–November 21 The Photograph As Canvas, The Aldrich Contemporary Art Museum, Ridgefield, CT. Group exhibition, curated by Stephen Maine 2006 Second International Biennial of Contemporary Art of Seville, Curated by Okwui Enwezor, Spain (October 2006–January 2007) The Constant Possibility of Erasure, Dorsky Gallery Curatorial Projects, Curated by Donna Harkavy and Gracie Mansion, Long Island City, NY. (November 19, 2006–January 29, 2007) Gallery Artists, Zeno X Storage, Antwerp (September 12–October 6) Personal Geographies, Hunter College, Times Square Gallery, (October 4–November 18) Curated by Joanna Lindenbaum Group Exhibition, Pierogi Leipzig, Germany (April 29–July 1) 2005 Reconfigure, Pierogi, Brooklyn, NY Very Early Pictures, Luckman Gallery, California State University, Los Angeles. Traveled to Arcadia University Art Gallery, Glenside, PA Pierogi In Safn, SAFN Museum, Reykjavik, Iceland. Curated by Joe Amrhein and Pétur Arason 2004 Disparities and Deformations: Our Grotesque, SITE Santa Fe’s Fifth International Biennial Curated by Robert Storr, Santa Fe, NM (18 July, 2004–9 January, 2005) 2003 Online, Feigen Contemporary, New York, NY. Curated by Robert Storr, Charlie Finch and George Negroponte Artists and Maps: Cartography As a Means of Knowing, The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR Pierogi Presents, Bernard Toale Gallery, Boston, MA (1 April–10 May) 2001 Gezeichnet, Nassauischer Kunstverein, Wiesbaden, Germany 1999 Actual Size, Apex Art C.P., New York, NY. Curated by Nancy Princenthal (brochure) Monumental Drawings, Exit Art/The First World, New York, NY Drawn from Artists’ Collections, traveling exhibition: Hammer Museum of Art, UCLA, Los Angeles, CA The Drawing Center, New York, NY 1998-99 Out of Actions: Between Performance and the Object 1949–1979, traveling exhibition: Museum of Contemporary Art, Tokyo, Japan Museu d’Art Contemporani, Barcelona, Spain MAK (Austrian Museum of Applied Arts), Vienna, Austria Museum of Contemporary Art, Los Angeles, CA 1998 Can’t We All Just Get Along?, Deven Golden Fine Art, New York, NY 1997 A Decade of Collecting, The Museum of Modern Art, New York, NY (catalogue) Inside Out Art Fair, 32 Mercer St., New York, NY. Curated by Kenny Schachter Artists’ Performances, The New Museum, New York, NY. May 3 Auto-Portrait, Exit Art/The First World, New York, NY. May 2–7 A Private View: Works of Art from Paleolithic to Present, Kent Gallery, New York, NY 1996 Face a l’histoire: 1933–1966, Centre Georges Pompidou, Paris, France (catalogue) American Dreamin’, Linda Kirkland Gallery, New York, NY. Curated by Heidi Zuckerman 1995 Drawing on Chance: Selections from the Collection, The Museum of Modern Art, New York, NY Endurance, Exit Art/The First World, New York, NY War Boards, John Weber Gallery, New York, NY Temporarily Possessed, The New Museum, New York, NY Other Rooms, Ronald Feldman Gallery, New York, NY The Drawing Show, Bernard Toale Gallery, Boston, MA 1994 Mapping, The Museum of Modern Art, New York, NY. Curated by Robert Storr (catalogue) (6 October–20 December) It’s How You Play the Game, Exit Art/The First World, New York, NY (through February 1995) Children In Crisis, Kunstverein, Hamburg, Germany 1993-94 The Return of the Cadavre Exquis, traveling exhibition: Forum for Contemporary Art, St. Louis, MO Santa Monica Museum of Art, Los Angeles, CA The Corcoran Gallery of Art, Washington, DC The Drawing Center, New York, NY (catalogue) Go Downstairs Diagonally, Rosamund Felsen Gallery, Los Angeles, CA. Curated by Paul McCarthy Tattoo, Andrea Rosen Gallery, New York, NY 1992 Writing on the Wall, 303 Gallery, New York, NY Empowering the Viewer, Benton Museum, University of Connecticut, Storrs, CT. 1991 Burning in Hell, Franklin Furnace, New York, NY. Book show curated by Nancy Spero Sticks and Stones, Katonah Museum of Art, Katonah, NY. Curated by Barry Walker 1990 Out of Site, P.S.1, Long Island City, NY (installation) Works on Paper, Paula Allen Gallery, New York, NY Garbage Out Front: A New Era of Public Design, The Urban Center, New York, NY Out of the Woods, Fairmount Park, Philadelphia, PA. Curated by Marsha Moss (sculpture installation) 1988 Totem, Peter Bonnier, Charles Cowles and Germans van Eck Galleries (performance) 1987 Other Gods, Los Angeles Municipal Art Gallery, Los Angeles, CA 1986 Choices, New Museum (window), New York, NY (brochure) Everson Museum, Syracuse, NY 1985 Biennale de Paris, France (catalogue) American Academy of Arts and Letters, New York, NY 1984 Salvaged, P.S.1, Long Island City, NY The Clocktower, New York, NY The Year of the Rat, P.S.1, Long Island City, NY 1982 Brotherhood, Exile Gallery (with Harry Kipper and Paul McCarthy), Los Angeles, CA 1980 Group Exhibition, LACE, Los Angeles, CA 1978 The Grandfathers’ Performance, L.A.I.C.A., Los Angeles, CA. Organized by Barbara Smith. Including performances by Paul McCarthy, Linda Montano, and Martha Rosler SELECTED BIBLIOGRAPHY 2009 Muchnic, Suzanne. “United States Artists announces winners,” The Los Angeles Times, Dec 14 2008 McCarthy, David. “Mudman: The Odyssey of Kim Jones,” The Art Book, February, Vol. 15 / Issue 1. Pp.15-16 Smith, Roberta. “Year of the Rat,” The New York Times, March 7 Smith, Roberta. “Year of the Rat,” The New York Times, February 29. P.E27 (Illus.) Egan, Maura. “Now Hanging | What’s New at the New Museum,” The New York Times / The Moment, January 16. (Illus.) Wolff, Rachel, “Artist Kim Jones Doodles on Self,” New York Magazine, Arts & Events, January 29. (Illus.) Finkelstein, Alix. “Contemporary Cut-and-Paste,” The New York Sun, January 18–20 2007 Subotnick, Ali. “Best of 2007,” Artforum, December, Pp. 336-7 + Cover (Illus.) Nicholson, Geoff. “Kim Jones, Walking Wounded,” Art Review Magazine, May (Illus.). Pp. 86-91 Clothier, Peter. “Kim Jones at Cal State L.A., Luckman Gallery,” www.artscenecal.com Genocchio, Benjamin. “Beyond Airbrushing,” The New York Times, April 1 Knight, Christopher. “The Real, Not Mythical, Mudman,” The Los Angeles Times, March 30 (Illus.) Westerbeck, Colin. “Telephone Pole Piece, Los Angeles,” West Magazine, March 18 (Illus.) Saltz, Jerry. “The Biggest Picture,” The Village Voice, February 1, 2007 2006 Maine, Stephen. “In Conversation,” The Brooklyn Rail, November (Cover Illus.) Artnet News, Artnet Magazine, July 6 2004 Yablonsky, Linda. “A Biennial Checklist: Art, Drinks, Checkbook,” The New York Times, August 22. pp.26 Connor, Jill. “New York: Pierogi 2000,” Contemporary, No.62. pp.69-70 (illus.) 2003 Weintraub, Linda. In the Making: Creative Options for Contemporary Art, Distributed Art Publishers, New York, NY. pp.208-13 2002 Capasso, Angelo A.A. L’arte per l’arte, Massaioli Editore, Rome Sorkin, Jenny. “Kim Jones: Works on Paper at Pierogi,” Frieze, Issue 67, May. p.93 (illus.) 2001 Varnedoe, Kirk, and Paola Antonelli, Joshua Siegel (editors). Contemporary Art at MoMA Since 1980, The Museum of Modern Art Cabinet, Issue 2, Postcard Project, Spring 2001 2000 Montano, Linda. Performance Artists Talking in the Eighties, University of California Press Columbia, A Journal of Literature and Art, Issue 33, Winter, portfolio. pp.134-37 Pierogi Press, Volume Five, Spring/Summer (cover artwork) Zweig, Janet and Nancy Princenthal (editors). Chain #7, Memoir, text and portfolio. pp.98-102 1999 Princenthal, Nancy. “Kim Jones at John Weber,” Art in America, October. p.158 Smith, Roberta. “As Intimate as the Touch of an Artist,” The New York Times, May 21 Schwendener, Martha. “A Cripple In the Right Way May Beat a Racer In the Wrong One,” Time Out New York, April 15-22 1998 Sinaiko, Eve (editor). Vietnam: Reflexes and Reflections, The National Vietnam Veterans Art Museum, Abrams, New York Pierogi Press, Volume II, Fall. pp.44-45 (centerfold) Blessing, Jennifer. “Acting Out—Learning from Los Angeles,” Parkett, No. 53. pp.178-181 Goldberg, Roselee. Performance: Live Art Since 1960, Abrams, New York Klein, Jennie. “Acting the Icon/Indexing the Body,” New Art Examiner, October Smith, Roberta. “Can’t We All Just Get Along? Deven Golden Fine Art,” The New York Times, July 24 Schimmel, Paul (organizer). Out of Actions: Between Performance and the Object, 1949-1979, The Museum of Contemporary Art, Los Angeles, Thames and Hudson. (catalogue) Glueck, Grace. “You Won’t Be Happy Til I’m in a Box,” The New York Times, January 2 1997 Cotter, Holland. “Ideas from the Air Wrapped in Paper: The Modern Surveys Current Drawing, The New York Times, December 19 1996 Face a l’histoire, 1933-1996 (catalogue) Perrott, Jeff. “Kim Jones’ Open Stacks,” Arts Media, June 1995 Canning, Sue. “Mapping,” Art Papers, January/February. pp.58-59 Weil, Benjamin. “Mapping,” Art Monthly, No. 82, 1994-95. pp.31-32 1994 Storr, Robert. Mapping, The Museum of Modern Art, catalogue cover and pp.18-19, 37 Smith, Roberta. “Mapping,” The New York Times, October 14 “Calendar (portfolio),” and front cover, Grand Street 50, Fall. pp.113-121 “Go Down Stairs Diagonally,” Art Issues, January/February. p.40 Kimmelman, Michael. “The Exquisite Corpse Rises from the Dead,” The New York Times, Nov. 7 Princenthal, Nancy. Sculpture, March/April. p.59 1992 McEvilley, Thomas. Art & Otherness: Crisis in Cultural Identity, Documentext McPherson & Company. p.34 1991 Tobier, Nick. “Out of the Woods,” Sculpture, March/April. p.64 Levin, Kim. “Kim Jones,” The Village Voice, March 13. p.88 Larson, Kay. “Summer Stock,” New York Magazine, September 2. p.60 Raynor, Vivien. “From Twigs, Leaves and Mud, a Show of Landscape,” The New York Times, July 14 p.22 Rubenstein, Meyer Raphael. “Books,” Art Magazine, May. p.11 1990 Adams, Brook. “Kim Jones at Lorence Monk,” Art in America, June. p.179 Levin, Kim. “Kim Jones,” The Village Voice, January 30. p.93 Smith, Roberta. “The Vietnam War Ricochets Into the Galleries,” The New York Times, January 6. pp.31, 34 Hess, Elizabeth. The Village Voice, January 23. p.46 1989 Hayt-Atkins, Elizabeth. “Kim Jones,” Art News, November. pp.188-189 Loeffler, Carl E. and Darlene Tong. Performance Anthology and Source Book of California Performance Art, Last Gasp Press and Contemporary Arts Press, San Francisco, CA Carr, C. “An Artist Retreats from Rage,” The Village Voice, September 18. p.97 1987 Festa, Angelika. “Mudman in New York,” The Drama Review, Winter. pp.29-33 Bomb, No. XIV. p.38 Williams, Reese (ed.). “Kim Jones,” Unwinding the Vietnam War, The Real Comet Press. pp.111-119 Parfrey, Adam (ed.). Apocalypse Culture, Amok Press. pp.81-100 Boudaille, Georges. “La Nouvelle Biennale de Paris,” Beaux Arts. pp.204-205 Princenthal, Nancy. “The Casualty Catalogues: Memorializing Vietnam Veterans,” ISSUE, a Journal for Artists, Winter. pp.9-13 Flood, Richard (ed.). Notations (introduction by Nancy Princenthal) 1983 McEvilley, Thomas. “Art in the Dark,” Artforum, Summer. pp.62-71 “Ten Top Performances of 1983,” High Performance, Vol. 5, No. 4 1982 “X-Marine,” High Performance, Spring/Summer. p.99 1981 Kim Jones. Spit (an illustrated story, edition of 200, published by the artist) 1979 Burnham, Linda Frye. “Performance Art in Southern California,” High Performance, Sept. pp.2-16 KCRW, Santa Monica, CA. (radio interview with Barry Brennan and Charles Hill) 1977 “Rat Book,” Dumb Ox, Spring, No. 4. p.26 1976 Kuhn, Annette. “Culture Shock,” The Village Voice, April 22 SELECTED PUBLICATIONS 2009 The Judith Rothschild Foundation Contemporary Drawings Collection–Catalogue Raisonné The Museum of Modern Art, New York. Essays by Christian Rattemeyer, Glenn D. Lowry, Brian Scholis, Jan Tumlir, Manfred Hermes, Isabelle Graw, Martin Herbert, Scott Gerson The Third Mind: American Artists Contemplate Asia, 1860–1989. Guggenheim Museum Publications, New York. Texts by Alexandra Munroe, Richard Armstrong 2008 A Life of Secrets: Spit—War Drawing, Pierogi Press, New York, NY. Text by Kim Jones 2007 Collage: The Unmonumental Picture, The New Museum / Merrell Publishers, New York Essays by Richard Flood, Laura Hoptman, Massimiliano Gioni Think with the senses / feel with the mind: Art in the present tense, The Fondazione La Biennale di Venezia, Venice, Italy Mudman: The Odyssey of Kim Jones, MIT Press, Edited by Sandra Q. Firmin. 2005 Kim Jones: War Paint, Pierogi, Brooklyn, NY 2001 Contemporary Art at MoMA Since 1980. The Museum of Modern Art, New York, NY. Eds. Kirk Varnedoe, Paola Antonelli, Joshua Siegel 2000 Chain #7, Memoir. Text and portfolio. Pp.98-102 1998 Performance: Live Art Since 1960, Abrams, New York Out of Actions: Between Performance and the Object: 1949–1979, The Museum of Contemporary Art, Los Angeles, Thames and Hudson. Essay by Paul Schimmel 1996 Face a l’histoire: 1933-1996, Centre Georges Pompidou, Paris 1994 Mapping, The Museum of Modern Art, New York, NY. Essay by Robert Storr 1992 Art & Otherness: Crisis in Cultural Identity, Documentext McPherson & Company. P.34 1989 Performance Anthology and Source Book of California Performance Art, Last Gasp Press and Contemporary Art Press, San Francisco, CA 1987 Kim Jones: Unwinding the Vietnam War, The Real Comet Press, Reese Williams. Pp.111-119 Apocalypse Culture, Amok Press. Pp. 81-100 Notations, Richard Flood. Introduction by Nancy Princenthal AWARDS 2009 United States Artists Rockefeller Fellowship 2003 Art Pace Fellowship 2001-02 Chuck Close Rome Prize Fellowship in Visual Arts, American Academy in Rome 1996 Pollock-Krasner Foundation Grant 1993 National Endowment for the Arts Grant, Other Genres New York Foundation for the Arts Grant, Sculpture 1989 Guggenheim Fellowship 1988 New York Foundation for the Arts Grant, Sculpture Franklin Furnace Performance Grant 1986 National Endowment for the Arts Grant 1985 American Academy of Arts and Letters 1984 Foundation for Contemporary Performance Arts 1983-84 P.S.1 Studio Program RESIDENCIES / TEACHING 2003 Art Pace, San Antionio, TX Sirius Arts Centre, Cobh, County Cork, Ireland 2000 Skowhegan School of Painting and Sculpture, Skowhegan, ME (summer faculty) 1999 Sirius Arts Center, Cobh, County Cork, Ireland 1991 Furkart, Furkaposshöhe, Switzerland SELECTED MUSEUM COLLECTIONS The Metropolitan Museumof Art, New York, NY The Museum of Modern Art, New York, NY The Museum of Contemporary Art, Los Angeles, CA L.A.C.M.A. (The Los Angeles County Museum of Art), Los Angeles
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