Mark Lombardi View available Lombardi works on these pages— Page One Preparatory drawings Page Two Page Three Large-scale works on paper   "Preparatory Drawings" Exhibition, April-May, 2003 Global Networks A traveling retrospective of 25 works by Mark Lombardi was organized by Independent Curators International, New York and curated by Robert Hobbs. Catalogue available. January 2003 - April 2005 (Scroll down for exhibition itinerary) George W. Bush, Harken Energy, and Jackson Stevens c.1979-90, 5th Version, 1999 Graphite on paper, 20 x 44 inches Private collection Above, full image; Below, detail   DETAIL     Pat Robertson, Beurt Servaas and the UPI Takeover Battle, c.1985-91, 2000 Graphite and red pencil on paper, 23.75 x 53.5 inches   Bill Clinton, Lippo Group and China Ocean Shipping Co. aka COSCO little rock-jakarta-hong kong c.1990s (5th version), 1999 Graphite and red pencil on paper, 60.5 x 75 inches Private Collection       Chicago Outfit and Satellite Regimes, c.1981-83, 1998 Graphite on paper, 50 x 80 inches Private Collection     Gerry Bull, Space Research Corporation and Armscor of Pretoria, South Africa, c.1972-80 (5th Version), 1999, Graphite and red pencil on paper, 58 x 76 inches Collection of the Museum of Modern Art (NYC), Gift of the Judith Rothschild Foundation     Banca Nazionale del Lavoro, Reagan, Bush, Thatcher, and the Arming of Iraq, c.1979-90 (3rd version), 1996, Graphite and red pencil on paper, 51 x 138 inches Private Collection       World Finance Corporation Miami and Nugan Hand Ltd. of Sydney, Australia, c.1972-80 (8th Version), 1997, Graphite on paper, 24 x 54 inches Private Collection       Frank Nugan, Michael Hand and Nugan Hand Ltd. of Sydney, Australia, c.1972-80 (8th Version), 1998 Graphite and red pencil on paper, 51 x 124.5 inches Private Collection   Global Networks Exhibition Itinerary: Herbert F. Johnson Museum of Art, Cornell University. Ithaca, NY 25 January - 16 March, 2003 Museum of Contemporary Art Cleveland. Cleveland, Ohio 30 May - 17 August, 2003 Jean Paul Slusser Gallery, University of Michigan. Ann Arbor, Michigan 5 September - 22 October, 2003 The Drawing Center. New York, NY 1 November - 18 December, 2003 Yerba Buena Center for the Arts. San francisco, California 17 January - 4 April, 2004 Joe and Emily Lowe Art Gallery, College of Visual and Performing Arts Syracuse University. Syacuse, NY 27 April - 4 June, 2004 Faulconer Gallery, Grinnell College. Grinnell, Iowa 18 June - 1 August, 2004 Art Gallery of Ontario. Toronto, Ontario, Canada 10 September - 5 December, 2004 Milwaukee Art Museum. Milwaukee, Wisconsin 15 January - 10 April, 2005   The Recent Drawings: An Overview (Artist Statement) In 1994 I began a series of drawings I refer to as "narrative structures." Most were executed in graphite or pen and ink on paper. Some are quite large, measuring up to 5 x 12 feet. I call them "narrative structures" because each consists of a network of lines and notations which are meant to convey a story, typically about a recent event of interest to me, like the collapse of a large international bank, trading company, or investment house. One of my goals is to explore the interaction of political, social and economic forces in contemporary affairs. Thus far I have exhibited drawings on BCCI, Lincoln Savings, World Finance of Miami, the Vatican Bank, Silverado Savings, Castle Bank and Trust of the Bahamas, Nugan Hand Limited of Sydney, Australia, and many more. Working from syndicated news items and other published accounts, I begin each drawing by compiling large amounts of information about a specific bank, financial group or set of individuals. After a careful review of the literature I then condense the essential points into an assortment of notations and other brief statements of fact, out of which an image begins to emerge. My purpose throughout is to interpret the material by juxtaposing and assembling the notations into a unified, coherent whole. In some cases I use a set of stacked, parallel lines to establish a time frame. Hierarchical relationships, the flow of money and other key details are then indicated by a system of radiating arrows, broken lines and so forth. Some of the drawings consist of two different layers of information—one denoted in black, the other, red. Black represents the essential elements of the story while the major lawsuits, criminal indictments or other legal actions taken against the parties are shown in red. Every statement of fact and connection depicted in the work is true and based on information culled entirely from the public record. —Mark Lombardi Bibliography: Mark Lombardi's Library Read some press about Mark Lombardi @ pierogi 2000 In memorium mark lombardi 1951 - 2000
	P   I   E   R   O   G   I     2   0   0   0 177 north 9th street brooklyn, ny 11211 718.599.2144 noon to 6p friday through monday and by appointment pierogi 2000 is an innovative art gallery in williamsburg, brooklyn, new york