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Marilla Palmer
Optimism Reigns
and Rains
18 March - 18 April, 2005
Gallery 2

Silver Lining, 2005
Stainless steel, rhinestones, fiber optic beads, tree fungus,
programmed LED
72 x 30 inches (variable)

Silver Lining (detail),
2005
Stainless steel, rhinestones, fiber optic beads, tree fungus,
programmed LED
72 x 30 inches (variable)

Happy Time (detail),
2005
Mirror, handblown glass, watch, crystal, programmed LED
14 x 8 x 8 inches
Rainbow Dancing Queen, 2002-05
Beads, silk, programmed LEDs
84 x 12 x 12 inches (variable)

Rainbow Dancing Queen (detail),
2002-05
Beads, silk, programmed LEDs
84 x 12 x 12 inches (variable)

Nice Sentiment, 2005
Mushroom spore prints on rice paper, embroidery
33 x 5 inches
Press Release
Pierogi is delighted
to present new work by Marilla Palmer. Palmer's work has been exhibited
in the US and Europe, including solo shows in New York and Los Angeles.
In the past she has furthered the tradition of painting by exploring the
delicate and diaphanous nature of fabrics using non-painting techniques
such as stitching, embroidery and beading. More recently, she has continued
this exploration to make sculptural "paintings."
Forest mushrooms and light-emitting diodes do not, as a rule, occupy
the same plane of existence. We like to keep nature in a separate compartment
a safe distance away from technology, which is what makes Marilla Palmer's
new works a bit disconcerting at first glance. Her mobiles and wall sculptures,
which might contain beads, bits of plastic, tree fungus and decorative
letters, all come with their own lighting systems, which change hues at
varying speeds…. (Dan Cameron, 2005)
This exhibition will consist of hanging and wall-mounted sculptures, each
with their own lighting component, as well as photographic elements. One
work, "Silver Lining," is a floating stainless steel mobile
in the shape of a cloud. Cascading strands of rhinestones and fiber optic
beads are anchored with dried tree fungus while a glistening lone tree
hangs among the strands.
The dichotomy in Palmer's work is that we see one thing but feel another.
She visually conveys a sense of fragile beauty and hope while playing
with the darker side of emotion. There is a dichotomy of materials too,
in which the whimsy of Alexander Calder meets the mood of James Turrell.
The hand wrought, crafty aspect of her rhinestones, mirrors and beads
contrasts with the high tech effect of the LED lights. Artifice collides
with reality, optimism with despair. (Sue Scott, 2005)
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