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2 January –
1 February, 2009
The Augmented Fourth
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Press release
The augmented fourth is an ominous sounding chord that the Catholic Church
once considered evil. Together, the works in this exhibition create a
tense and disturbing chord themselves and capture the underlying tone
of unease that has recently been creeping into cultural thought. Most
of these graphite on paper drawings deal with imagined ways in which we
try to fix or counteract the damage we have already done to the planet.
In "Defense Fans," for example, two small fans are a futile
defense against the oncoming wall of clouds, but there is beauty in the
mere effort. "Rebuilding the Quarries" uses the symbols of industry
(smoke, scaffolding, power lines) but in a reverse of what is typically
expected—instead of industry destroying the natural world, it is
trying to rebuild it. In these works, Schall hopes to blur the lines between
the industrial world and the natural world. Both sides have become so
unknowable and precariously balanced that they begin to mimic each other.
Drawings like, "Giant Tree," "Rock House," and "Black
Rock Forest Preserve," are about this middle ground, where the natural
world seems so artificial, unpredictable, and reinforced, that it might
be taken to be purely man made. This will be Schall’s second exhibition
at Pierogi.
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