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John O’Connor in Bomb Magazine
Read Bruce Pearson’s writing on John O’Connor’s work in Bomb Magazine
David Scher Review, Art in America
Art in America | David Scher >> “David Scher’s impulse to draw seems to be as essential to him as breathing. The New York-based artist’s latest solo exhibition at Pierogi, titled “regular is best,” comprised several dozen works of various … Continue reading
Seven Miami Press; Financial Times Website
Dissenters transform the art showcase >> “In 2004, Joe Amrhein of Gallery Pierogi in Williamsburg, New York, decided he was among the dissenters. ‘There really are plenty of negatives about the fair format,’ says Amrhein. ‘Some artists really dislike the … Continue reading
Seven Miami Press, WNYC Culture
Miami Art Fair Report: A Microscopic Brooklyn Bar and Other Treasures at ‘Seven’ >> “..this enterprise is an interesting experiment in making art fairs more D.I.Y.—and more accessible to the viewer. The extra space is a boon: the art has … Continue reading
Sarah Walker Review, Art in America
Art in America | Sarah Walker >> Walker suggests force fields and event horizons. Partially Seen Things (all works 2010) sports intersecting cantilevered dumbbell shapes—looking something like a misbegotten Eames coatrack—in electric azure and ruddy plum. Irregularly spaced yellow-green stripes race through … Continue reading
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James Esber, As A Chimney Draws
James Esber | This is Not a Portrait on the blog, As a Chimney Draws >>
Ati Maier Review, Art Critical
Art Critical Online Magazine | Ati Maier >> “Maier’s most recent work is denser than previous and more varied in its markmaking. The imagery is increasingly abstracted and acquiescent to less identifiable and circuitous patterning. Works such as Disappeared Time and The … Continue reading
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William Lamson Review, The New York Times
William Lamson | The New York Times >> “Mr. Lamson’s action has a sweet pathos about it: he’s a tiny man making his mark in the wilderness. There is an obliquely comical aspect, too, in the nostalgic effort to revive … Continue reading
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Zeller & Maier Review, L Magazine
Daniel Zeller & Ati Maier | L Magazine >> “Maier’s work remains partly rooted in figuration, as in the large-scale piece that gives her exhibition its title, “Giant Dipper” (2010), where thick, swooping lines of ink and airbrushed paints in … Continue reading
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Dawn Clements at Hales Gallery, London
Dawn Clements | Hales Gallery >> “Dawn Clements work often begins as a small drawing of a single figure, object or space from life, film or TV. To these more paper is often added making the process a very organic way … Continue reading
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