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sermin kardestuncer
15
march - 15 april 1999
Art in America
Sermin Kardestuncer
Pierogi 2000
"For her first solo show in
nine years, Sermin Kardestuncer offered a handsome assortment of work,
including several sculptural pieces and works on paper and two large wall
installations. She tends to use fairly humble substancesÑsuch as rice
paper, thread, plaster, wood and candle waxÑand restricts her palette
to shades of white, black, brown and gray. In her hands...these minimal
materials achieve a subtle variegation and depth that recall Agnes Martin's
abstraction.
In her wall installations
Kardestuncer used a drill instead of a needle, and clay balls instead
of wax drips. For one piece, she inscribed two rectangles on a hollow
wall by drilling vertical lines of holes through which she wove gray thread;
for the other, she chiseled a square from the sheetrock and filled this
niche with white-painted clay balls. Though both pieces were made in Kardestuncer's
studio and painted to match the exhibition space, the installation was
so seamlessly smooth that it looked as though she'd sewn and gouged directly
into the gallery walls.
The show also included some
intriguing sculptural work; here, Kardestuncer used flat elements and
pigments to make three-dimensional volumes. In Paper Pile she offered
a ream of brilliant white writing papers whose stiffly curled edges were
stained with black ink; in Blanket Pile she displayed two unequal stacks
of felted ocher fabric, one of which was saturated with white paint. These
pieces were displayed on two-legged tables whose back edges disappeared
into the wall. Like everything else in this haptic show, they seemed the
result of inventiveness, careful observation and thoughtfully deployed
detail." February 2000
Carol Kino
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