John O’Connor Chelsea Pop Up Solo Exhibition


John O’Connor


John O’Connor - "Slot Machine Politics," 2019, Colored pencil and graphite on paper, 49.7 x 38.25 inches
The small key to this work is drawn at the left edge. I started this drawing after the 2016 Presidential election and wanted to explore the complexity of political corruption within the Trump administration through news reports. I thought of this as related to playing a slot machine in a casino—patterns are revealed over time and eventually something hits, reveals the hidden, and we get the payoff. In the case of this drawing, however, the game will continue in recurrence as no concrete pathway has been revealed. I made this drawing out of desperation to understand what was happening in our country’s political class. Process-wise, each day I recorded a headline from a major newspaper that was relevant to the Mueller inquiry or related political conspiracy. As the drawing progressed, the story became clearer, but also more vast. I translated each news headline into three sets of numbers: the total num- ber of words, the total number of letters, and the total vowels and consonants. I then correlated this data to a set of lottery icons and drew the correlated image in the grid, from top to bottom. The coor- dinates are all noted and the color of the background was also decided by the headline’s content. The bottom-most icons are magnets, which I saw as representing the pull of this story across individuals laterally, into the past as misdeeds were uncovered, connected to others in the present, and portended more into the future.

“Slot Machine Politics,” 2019, Colored pencil and graphite on paper, 49.7 x 38.25 inches
The small key to this work is drawn at the left edge. I started this drawing after the 2016 Presidential election and wanted to explore the complexity of political corruption within the Trump administration through news reports. I thought of this as related to playing a slot machine in a casino—patterns are revealed over time and eventually something hits, reveals the hidden, and we get the payoff. In the case of this drawing, however, the game will continue in recurrence as no concrete pathway has been revealed. I made this drawing out of desperation to understand what was happening in our country’s political class. Process-wise, each day I recorded a headline from a major newspaper that was relevant to the Mueller inquiry or related political conspiracy. As the drawing progressed, the story became clearer, but also more vast. I translated each news headline into three sets of numbers: the total num- ber of words, the total number of letters, and the total vowels and consonants. I then correlated this data to a set of lottery icons and drew the correlated image in the grid, from top to bottom. The coor- dinates are all noted and the color of the background was also decided by the headline’s content. The bottom-most icons are magnets, which I saw as representing the pull of this story across individuals laterally, into the past as misdeeds were uncovered, connected to others in the present, and portended more into the future.