Mark Lombardi Bio

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CV
BORN
Syracuse, NY. 1951
EDUCATION
1974 B.A. (Art History) Syracuse University, Syracuse, NY
SOLO EXHIBITIONS
2011
Index, Pierogi, Brooklyn, NY( Feb. 25-April 3rd)
2008-09
Museum of Contemporary Art Leipzig (Galerie für Zeitgenüssicsche Kunst) (Two-person with
Julius Popp
2006-07
A Secret Service: Art, Compulsion, Concealment, Hayward Gallery Touring Exhibition:
Hatton Gallery, Newcastle University (September 15–November 11, 2006)
De La Warr Pavillion, Bexhill on Sea (January 27April 15, 2007)
Whitworth Art Gallery, Manchester (May 5–July 29, 2007)
2003-05
Mark Lombardi: Global Networks, a traveling exhibition organized by Independent Curators
International, New York. Curated by Robert Hobbs. (Catalogue)
Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. January 2003
Other locations include: Cleveland Museum of Contemporary Art, Cleveland, OH;
Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, MI; The Drawing Center, NY, NY;
Faulconer Gallery, Grinnel College, Grinnell, IO
2003
Preparatory Drawings, Pierogi, Brooklyn, NY (Catalogue)
2000
Mark Lombardi; Silent Partners, Sorenson Center for the Arts, Babson Park, MA
Mark Lombardi: In Memory, Gallery Joe, Philadelphia, PA
1999
Vicious Circles: Drawings, Deven Golden Fine Art, New York, NY.
1998
Silent Partners, Pierogi 2000, Brooklyn, NY.
Mark Lombardi, Crossing the Line: 1994–8, Museum of Contemporary Art, Washington, D.C.
1996
Over The Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, TX
SELECTED GROUP EXHIBITIONS
2021
Pulp, Pierogi, Brooklyn, NY
2018
Under Erasure, Pierogi, New York, NY (curated by Raphael and Heather Rubinstein)
Everything Is Connected: Art and Conspiracy, Met Breuer, New York, NY (September 18, 2018-January 6, 2019) (curated by Doug Eklund and Ian Alteveer)
2017
Evidentiary Realism, Nome, Berlin, Germany (December 2, 2017-February 17, 2018)
2016
Rage for Art (Once Again), Pierogi, New York, NY
2015
A World of Wild Doubt, Kunstverein in Hamburg, Germany (Jan 26-April 14)(Catalogue)
The Changing Values of Wealth, Temple Contemporary, Philadelphia, PA
The Bottom Line, S.M.A.K., Ghent, Belgium
SEVEN: Anonymity, no longer an option, The Boiler, Brooklyn, NY
Selections from the Kramarsky Collection, David Zwirner, New York, NY
Une brève histoire de l’avenir, The Louvre, Paris, France (September 24-January 4, 2016) (Catalogue)
2014
CLEAR, Gagosian Gallery, Beverly Hills, CA
PIEROGI XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY
Idiom II, Pierogi, Brooklyn, NY
Datascapes, Paul Robeson Galleries, Rutgers University-Newark (Jan 21-April 2)
2013
My Brain is in My Inkstand: Drawing as Thinking and Process, Cranbrook Museum of Art, Detroit, MI (Nov 16-March 30, 2014) (Catalogue)
Monkey Business, Le Marais in Paris, France
The Temptation of the Diagram, Andrea Rosen Gallery, NY
2012
dOCUMENTA (13).
2011
Essays on Geopoetics: 8th Mercosul Biennial, Porto Alegre, Brazil. Chief curator: Jose Roca (10 September – 15 November)
10th Sharjah Biennial: Plot for Biennial, Sharjah, United Arab Emirates. Curated by Suzanne Cotter, Rasha Salti with assoc. curator Haig Aivazian (March 16-May 16)
On Line: Drawing Through the Twentieth Century, The Museum of Modern Art, New York, NY (November 12, 2010-February 7, 2011)
2010
Uneven Geographies: Art and Globalisation, Nottingham Contemporary, Nottingham, United Kingdom (May9-July 4)
Nineteeneightyfour, Austrian Cultural Forum NY, NY (May 27-Sep 5) (Catalogue)
Welt und System (World and System), Staedtische Galerie (Dresden City Art Gallery), Dresden, Germany (October, 2010-January 2011)
2009
Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings
Collection, The Museum of Modern Art, New York, NY (April 22, 2009–January 4, 2010)
Reduced Visibility, The Glassell School of Art, The Museum of Fine Arts, Houston, TX
(September 4–November 15) Curated by Kurt Mueller
All Over the Map, John Michael Kohler Arts Center, Sheboygan, WI (February 15–May 10)
2008
Pierogi et al, Daniel Weinberg Gallery, Los Angeles, CA
For Reasons of State, The Kitchen, New York, NY (May 16–June 7, 2008)
Curated by Angelique Campens, Erica Cooke and Steven Lam (Helena Rubenstein Curatorial Fellows, The Whitney Independent Study Program)
Midnight Full of Stars, Visual Arts Center of New Jersey, Summit, NJ (April 11–June 6)
Curated by Sara Lynn Henry
2007
New York: State of Mind, The House of World Cultures, Berlin, Germany.
Curated by Shaheen Merali (August 24–November 4)
Travel to Queens Museum of Art, Queens, NY (December 16, 2007–March 23, 2008)
The Four Horsemen / die RAND Corporation, Galerie IM Regierunsviertel, Berlin, Germany
(September 29–October 10, 2007)
Cosmologies, James Cohan Gallery, New York, NY (January 11–February 10)
2006
Text Formed Drawing, Contemporary Art Galleries, University of Connecticut, Storrs, CT
Curated by Barry Rosenberg (November 6–December 13)
Thomas Schulte Gallery, Berlin, Germany
Tell Me the Truth, Fine Arts Grants of the Biscay, Executive Council 2003-04, Bilbao, Spain
(May 25–July 9)
Skirting the Line, Conceptual Drawing, Richard E. Peeler Art Center, DePauw University
Greencastle, IN (February 15–May 7)
2005
Looking At Words; The Formal Presence of Text in Modern and Contemporary Works on Paper,
Andrea Rosen Gallery, New York, NY (October 28, 2005–January 14, 2006)
Drawing from the Modern, 1975–2005, The Museum of Modern Art, New York, NY
(September 14, 2005–January 9, 2006)
Building and Breaking the Grid, The Whitney Museum of American Art, New York, NY
(September 1, 2005–January 8, 2006)
Vivisección, Dibujo contemporáneo, Museo de Arte Carrillo Gil (macg), Mexico City
Curated by Marisol Argüelles (April 23–July 15)
The Art of Aggression: Iraqui Stories and Other Tales, Curated by Robert Hobbs and Jean
Crutchfield, Traveling:
The Reynolds Gallery, Richmond Virginia (February–March 12)
The Moore Space, Miami, FL (April 14–July 1)
2004
Election, American Fine Arts, Organized by James Meyer, (Oct 22–Nov 18)
Social Capital, the Whitney Museum of American Art Independent Study Program (ISP)
(May–July)
The Ten Commandments, the German Hygiene Museum, Dresden (June 18–)
Curated by Klaus Biesenbach and Ellen Blumenstein
Open House, O.K.-Centrum fuer Gegenwartskunst Oberoesterreich, Linz, Austria (March 12–April 30)
Group Show, South First, Brooklyn, NY
2003
World Watchers, NGBK, Berlin, Germany (Catalogue)
Doing Business: Dysfunctional Corporate Culture, the Atrium Gallery at the University of
Connecticut Storrs and University of Connecticut Stamford
Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, MA
Curated by Grady Gerbracht and Susan Jahoda
(October 27–November 23) (Catalogue)
Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, OH
(May 31–November 22, 2003) (Catalogue)
GNS Global Navigation System, Palais de Tokyo, Paris, France
(June 5–September 14) (Catalogue)
For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancourver, Canada
(June 28–September 28) (Catalogue)
Haupt-und Nebenwege, Galerie Christian Nagel Köln, Germany (June 24–August 17)
Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, NY (June 5–July 26)
High and Inside, curated by Maurice Tuchman, Marlborough Gallery, New York, NY
(upcoming, May 1–June 15) (Catalogue)
privat I öffentlich, Häusler Contemporary, München, Germany (April 26–June 27)
American Dream, Ronald Feldman Gallery, New York, NY (February 22–March 29) (Catalogue)
Living Inside the Grid, The New Museum of Contemporary Art, New York, NY (Catalogue)
(February 28—June 15, 2003)
The Incredible Lightness of Being, curated by Phong Bui, Black & White Gallery, Brooklyn, NY
2002
Center of Attraction, The 8th Baltlic Triennial of International Art, Contemporary Art Centre,
Vilnius, Lithuania (Catalogue)
Overt Operation, Joseph Helman Gallery, New York, NY
Strategy, La Plage, Neuchatel, Switzerland
Libres Echanges / Material Worldl, Centre d’Art Contemporain GENEVE, Switzerland
Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems,
Contemporary Art Museum, St. Louis, MO
Empire / State: Artists Engaging Globalization (Curated Exhibition, Whitney Museum
Independent Study Program), Graduate Center of the City University of New York, NY
2001
Brooklyn!, Palm Beach Institute of Contemporary Art, Palm Beach, FLA
The Communications Department, curated by Alex Farquharson, Anthony Wilkinson Gallery,
London
Let’s Get to Work, Susquehanna Art Museum, Harrisburg, PA
Art at the Edge of the Law, The Aldrich Museum of Contempary Art, Ridgefield, CT
Nancy drew, SPACES, Cleveland, OH
All Systems Go, Contemporary Arts Museum, Houston, TX
Fresh: The Altoids Curiously Strong Collection 1998-2000, The New Museum of
Contemporary Art (Permanent Collection), New York, NY
Group show, Tribes Gallery, New York, NY
Work, University Art Museum, University at Albany, Albany, NY (Jan 24-Feb 18)
Blurry Lines, John Michael Kohler Arts Center, Sheboygan, WI
2000
Errant Gestues: Visual and Verbal Correspondences, Apex Art, New York, NY
Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado, Boulder
curated by Pamela Auchincloss, (this show will travel nationally for one year)
Multiple Sensations: series, collections, obsessions, Yerba Buena Center for the Arts,
San Francisco, CA
A Selective Survey of Political Art, John Weber Gallery, New York, NY
Greater New York, P.S.1/Contemporary Art Center, Long Island City, NY.
World Trade, Roebling Hall, Brooklyn, NY.
Circles, Bonafide Gallery, Chicago, Ill.
Newsroom, Roger Smith Gallery, New York, NY.
1999
Touring the Frame, Rosamund Felsen Gallery, Santa Monica, CA.
Pierogi 2000: Flatfiles, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA.
Monumental Drawings, Exit Art, New York, NY.
Brooklyn: New Work, Contemporary Arts Center, Cincinnati, OH, curated by Joe Amrhein
and Dave Brown.
Altoid’s Collection, Clementine Gallery, New York, NY; Centre Gallery, Miami-Dade
College, Miami, FL; Inside Art, Chicago, IL; Robert Berman Gallery, Santa Monica, CA;
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA.
The Other Side of New York, Galleria Maze, Turin, Italy.
Seeing Money, Portland Art and Cultural Foundation, Portland, Oregon.
Drawing Rules, Gallery Joe, Philadelphia, PA (ex.cat.)
Rage For Art, Pierogi 2000, Brooklyn, NY.
1998
Seeing Money, Rotunda Gallery, Brooklyn, NY.
Why Can’t We All Just Get Along? Deven Golden Fine Art, NY.
Laissez-Faire, Printed Matter, New York, NY.
Versus IV, Ex-Lanificio Bono di Carignano, Turin, Italy (ex. cat.)
Apocalypse Now, Here Art, New York, NY.
1997
Heaven, P.S.1/Contemporary Art Center, Long Island City, NY.
Selections: Winter 1997, The Drawing Center, New York, NY.
1996
Art Mall, Printed Matter, New York, NY.
Inner Sanctum, Robert McClain and Company, Houston, TX (project room installation).
The Big Show, Lawndale Art and Performance Center, Houston, TX (Third Prize).
1996 Critic’s Choice, Dallas Visual Art Center, Dallas, TX (ex. cat.).
1996 Houston Area Exhibition, Blaffer Gallery, University of Houston, Houston, TX
(ex.cat), Honorable Mention.
1995
The Big Show, Lawndale Art and Performance Center, Houston, TX.
BIBLIOGRAPHY
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“The ‘Offshore’ Phenomenon: Dirty Banking in a Brave New World,” Cabinet Magazine, Issue 2, Spring 2001: pp.86-89
“Hot Money and Perilous Politics: Dirty Banking in a Brave New World,” Artlies, Houston, TX June 1996: pp.11-14
“BCCI, ICIC, & FAB c. 1972-91,” Gulf Coast, Houston, TX, Summer/Fall 1996

COLLECTIONS

The Museum of Modern Art. New York, NY
The Whitney Museum of American Art. New York, NY
The New Museum (Gift of the Altoids Seriously Strong Collection). New York, NY
The Jewish Museum. New York, NY
The Reina Sofia Museum. Madrid, Spain
The Smithsonian American Art Museum, Washington, D.C.
Various private collections