Mark Lombardi Bio

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Syracuse, NY. 1951
1974 B.A. (Art History) Syracuse University, Syracuse, NY
Index, Pierogi, Brooklyn, NY( Feb. 25-April 3rd)
Museum of Contemporary Art Leipzig (Galerie für Zeitgenüssicsche Kunst) (Two-person with
Julius Popp
A Secret Service: Art, Compulsion, Concealment, Hayward Gallery Touring Exhibition:
Hatton Gallery, Newcastle University (September 15–November 11, 2006)
De La Warr Pavillion, Bexhill on Sea (January 27April 15, 2007)
Whitworth Art Gallery, Manchester (May 5–July 29, 2007)
Mark Lombardi: Global Networks, a traveling exhibition organized by Independent Curators
International, New York. Curated by Robert Hobbs. (Catalogue)
Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. January 2003
Other locations include: Cleveland Museum of Contemporary Art, Cleveland, OH;
Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, MI; The Drawing Center, NY, NY;
Faulconer Gallery, Grinnel College, Grinnell, IO
Preparatory Drawings, Pierogi, Brooklyn, NY (Catalogue)
Mark Lombardi; Silent Partners, Sorenson Center for the Arts, Babson Park, MA
Mark Lombardi: In Memory, Gallery Joe, Philadelphia, PA
Vicious Circles: Drawings, Deven Golden Fine Art, New York, NY.
Silent Partners, Pierogi 2000, Brooklyn, NY.
Mark Lombardi, Crossing the Line: 1994–8, Museum of Contemporary Art, Washington, D.C.
Over The Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, TX
Pulp, Pierogi, Brooklyn, NY
Under Erasure, Pierogi, New York, NY (curated by Raphael and Heather Rubinstein)
Everything Is Connected: Art and Conspiracy, Met Breuer, New York, NY (September 18, 2018-January 6, 2019) (curated by Doug Eklund and Ian Alteveer)
Evidentiary Realism, Nome, Berlin, Germany (December 2, 2017-February 17, 2018)
Rage for Art (Once Again), Pierogi, New York, NY
A World of Wild Doubt, Kunstverein in Hamburg, Germany (Jan 26-April 14)(Catalogue)
The Changing Values of Wealth, Temple Contemporary, Philadelphia, PA
The Bottom Line, S.M.A.K., Ghent, Belgium
SEVEN: Anonymity, no longer an option, The Boiler, Brooklyn, NY
Selections from the Kramarsky Collection, David Zwirner, New York, NY
Une brève histoire de l’avenir, The Louvre, Paris, France (September 24-January 4, 2016) (Catalogue)
CLEAR, Gagosian Gallery, Beverly Hills, CA
PIEROGI XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY
Idiom II, Pierogi, Brooklyn, NY
Datascapes, Paul Robeson Galleries, Rutgers University-Newark (Jan 21-April 2)
My Brain is in My Inkstand: Drawing as Thinking and Process, Cranbrook Museum of Art, Detroit, MI (Nov 16-March 30, 2014) (Catalogue)
Monkey Business, Le Marais in Paris, France
The Temptation of the Diagram, Andrea Rosen Gallery, NY
Essays on Geopoetics: 8th Mercosul Biennial, Porto Alegre, Brazil. Chief curator: Jose Roca (10 September – 15 November)
10th Sharjah Biennial: Plot for Biennial, Sharjah, United Arab Emirates. Curated by Suzanne Cotter, Rasha Salti with assoc. curator Haig Aivazian (March 16-May 16)
On Line: Drawing Through the Twentieth Century, The Museum of Modern Art, New York, NY (November 12, 2010-February 7, 2011)
Uneven Geographies: Art and Globalisation, Nottingham Contemporary, Nottingham, United Kingdom (May9-July 4)
Nineteeneightyfour, Austrian Cultural Forum NY, NY (May 27-Sep 5) (Catalogue)
Welt und System (World and System), Staedtische Galerie (Dresden City Art Gallery), Dresden, Germany (October, 2010-January 2011)
Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings
Collection, The Museum of Modern Art, New York, NY (April 22, 2009–January 4, 2010)
Reduced Visibility, The Glassell School of Art, The Museum of Fine Arts, Houston, TX
(September 4–November 15) Curated by Kurt Mueller
All Over the Map, John Michael Kohler Arts Center, Sheboygan, WI (February 15–May 10)
Pierogi et al, Daniel Weinberg Gallery, Los Angeles, CA
For Reasons of State, The Kitchen, New York, NY (May 16–June 7, 2008)
Curated by Angelique Campens, Erica Cooke and Steven Lam (Helena Rubenstein Curatorial Fellows, The Whitney Independent Study Program)
Midnight Full of Stars, Visual Arts Center of New Jersey, Summit, NJ (April 11–June 6)
Curated by Sara Lynn Henry
New York: State of Mind, The House of World Cultures, Berlin, Germany.
Curated by Shaheen Merali (August 24–November 4)
Travel to Queens Museum of Art, Queens, NY (December 16, 2007–March 23, 2008)
The Four Horsemen / die RAND Corporation, Galerie IM Regierunsviertel, Berlin, Germany
(September 29–October 10, 2007)
Cosmologies, James Cohan Gallery, New York, NY (January 11–February 10)
Text Formed Drawing, Contemporary Art Galleries, University of Connecticut, Storrs, CT
Curated by Barry Rosenberg (November 6–December 13)
Thomas Schulte Gallery, Berlin, Germany
Tell Me the Truth, Fine Arts Grants of the Biscay, Executive Council 2003-04, Bilbao, Spain
(May 25–July 9)
Skirting the Line, Conceptual Drawing, Richard E. Peeler Art Center, DePauw University
Greencastle, IN (February 15–May 7)
Looking At Words; The Formal Presence of Text in Modern and Contemporary Works on Paper,
Andrea Rosen Gallery, New York, NY (October 28, 2005–January 14, 2006)
Drawing from the Modern, 1975–2005, The Museum of Modern Art, New York, NY
(September 14, 2005–January 9, 2006)
Building and Breaking the Grid, The Whitney Museum of American Art, New York, NY
(September 1, 2005–January 8, 2006)
Vivisección, Dibujo contemporáneo, Museo de Arte Carrillo Gil (macg), Mexico City
Curated by Marisol Argüelles (April 23–July 15)
The Art of Aggression: Iraqui Stories and Other Tales, Curated by Robert Hobbs and Jean
Crutchfield, Traveling:
The Reynolds Gallery, Richmond Virginia (February–March 12)
The Moore Space, Miami, FL (April 14–July 1)
Election, American Fine Arts, Organized by James Meyer, (Oct 22–Nov 18)
Social Capital, the Whitney Museum of American Art Independent Study Program (ISP)
The Ten Commandments, the German Hygiene Museum, Dresden (June 18–)
Curated by Klaus Biesenbach and Ellen Blumenstein
Open House, O.K.-Centrum fuer Gegenwartskunst Oberoesterreich, Linz, Austria (March 12–April 30)
Group Show, South First, Brooklyn, NY
World Watchers, NGBK, Berlin, Germany (Catalogue)
Doing Business: Dysfunctional Corporate Culture, the Atrium Gallery at the University of
Connecticut Storrs and University of Connecticut Stamford
Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, MA
Curated by Grady Gerbracht and Susan Jahoda
(October 27–November 23) (Catalogue)
Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, OH
(May 31–November 22, 2003) (Catalogue)
GNS Global Navigation System, Palais de Tokyo, Paris, France
(June 5–September 14) (Catalogue)
For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancourver, Canada
(June 28–September 28) (Catalogue)
Haupt-und Nebenwege, Galerie Christian Nagel Köln, Germany (June 24–August 17)
Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, NY (June 5–July 26)
High and Inside, curated by Maurice Tuchman, Marlborough Gallery, New York, NY
(upcoming, May 1–June 15) (Catalogue)
privat I öffentlich, Häusler Contemporary, München, Germany (April 26–June 27)
American Dream, Ronald Feldman Gallery, New York, NY (February 22–March 29) (Catalogue)
Living Inside the Grid, The New Museum of Contemporary Art, New York, NY (Catalogue)
(February 28—June 15, 2003)
The Incredible Lightness of Being, curated by Phong Bui, Black & White Gallery, Brooklyn, NY
Center of Attraction, The 8th Baltlic Triennial of International Art, Contemporary Art Centre,
Vilnius, Lithuania (Catalogue)
Overt Operation, Joseph Helman Gallery, New York, NY
Strategy, La Plage, Neuchatel, Switzerland
Libres Echanges / Material Worldl, Centre d’Art Contemporain GENEVE, Switzerland
Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems,
Contemporary Art Museum, St. Louis, MO
Empire / State: Artists Engaging Globalization (Curated Exhibition, Whitney Museum
Independent Study Program), Graduate Center of the City University of New York, NY
Brooklyn!, Palm Beach Institute of Contemporary Art, Palm Beach, FLA
The Communications Department, curated by Alex Farquharson, Anthony Wilkinson Gallery,
Let’s Get to Work, Susquehanna Art Museum, Harrisburg, PA
Art at the Edge of the Law, The Aldrich Museum of Contempary Art, Ridgefield, CT
Nancy drew, SPACES, Cleveland, OH
All Systems Go, Contemporary Arts Museum, Houston, TX
Fresh: The Altoids Curiously Strong Collection 1998-2000, The New Museum of
Contemporary Art (Permanent Collection), New York, NY
Group show, Tribes Gallery, New York, NY
Work, University Art Museum, University at Albany, Albany, NY (Jan 24-Feb 18)
Blurry Lines, John Michael Kohler Arts Center, Sheboygan, WI
Errant Gestues: Visual and Verbal Correspondences, Apex Art, New York, NY
Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado, Boulder
curated by Pamela Auchincloss, (this show will travel nationally for one year)
Multiple Sensations: series, collections, obsessions, Yerba Buena Center for the Arts,
San Francisco, CA
A Selective Survey of Political Art, John Weber Gallery, New York, NY
Greater New York, P.S.1/Contemporary Art Center, Long Island City, NY.
World Trade, Roebling Hall, Brooklyn, NY.
Circles, Bonafide Gallery, Chicago, Ill.
Newsroom, Roger Smith Gallery, New York, NY.
Touring the Frame, Rosamund Felsen Gallery, Santa Monica, CA.
Pierogi 2000: Flatfiles, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA.
Monumental Drawings, Exit Art, New York, NY.
Brooklyn: New Work, Contemporary Arts Center, Cincinnati, OH, curated by Joe Amrhein
and Dave Brown.
Altoid’s Collection, Clementine Gallery, New York, NY; Centre Gallery, Miami-Dade
College, Miami, FL; Inside Art, Chicago, IL; Robert Berman Gallery, Santa Monica, CA;
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA.
The Other Side of New York, Galleria Maze, Turin, Italy.
Seeing Money, Portland Art and Cultural Foundation, Portland, Oregon.
Drawing Rules, Gallery Joe, Philadelphia, PA (
Rage For Art, Pierogi 2000, Brooklyn, NY.
Seeing Money, Rotunda Gallery, Brooklyn, NY.
Why Can’t We All Just Get Along? Deven Golden Fine Art, NY.
Laissez-Faire, Printed Matter, New York, NY.
Versus IV, Ex-Lanificio Bono di Carignano, Turin, Italy (ex. cat.)
Apocalypse Now, Here Art, New York, NY.
Heaven, P.S.1/Contemporary Art Center, Long Island City, NY.
Selections: Winter 1997, The Drawing Center, New York, NY.
Art Mall, Printed Matter, New York, NY.
Inner Sanctum, Robert McClain and Company, Houston, TX (project room installation).
The Big Show, Lawndale Art and Performance Center, Houston, TX (Third Prize).
1996 Critic’s Choice, Dallas Visual Art Center, Dallas, TX (ex. cat.).
1996 Houston Area Exhibition, Blaffer Gallery, University of Houston, Houston, TX
(, Honorable Mention.
The Big Show, Lawndale Art and Performance Center, Houston, TX.
Feeney, Mark. “Art and conspiracy meet at the Met Breuer,” Boston Globe, November 21, 2018
Kennicott, Philip, “Art can help distinguish between conspiracy and reality, and this exhibition proves it,” The Washington Post, November 4, 2018
Brock, Hovey. “Everything is Connected: Art and Conspiracy,” The Brooklyn Rail, November 1, 2018
Farago, Jason. “How Conspiracy Theories Shape Art,” The New York Times, November 1, 2018
Small, Zachary. “Connecting the Dots in the Met Breuer’s Show About Conspiracy Theories,” Hyperallergic, October 15, 2018
Yablonsky, Linda. “Just because you’re paranoid, doesn’t mean you shouldn’t go to the Met Breuer,”
The Art Newspaper, September 26, 2018
Mitter, Siddhartha. “This Blessed Plot: Art Untangles Conspiracy at the Met Breuer,” The Intercept, September 23, 2018
Sayej, Nadja. “Everything is connected: new exhibition on art and conspiracy,” The Guardian, September 17, 2018
Stapley-Brown, Victoria. “From assassinations to CIA mind control: new show investigates how artists tackle conspiracy theories,” The Art Newspaper, September 14, 2018
Lachowskyj, Cat. “Everything Is Connected: Art and Conspiracy at The Met Breuer, New York,” British Journal of Photography, September 13, 2018
Fry, Ben. “Learning from Lombardi,” Medium, April 14, 2016
Nazaryan, Alexander. “Mark Lombardi’s Art Was Full of Conspiracies – Now His Death Has Become One,” Newsweek Magazine, October 3, 2015
Munster, Anna. “The Aesthesia of Networks: Conjunctive Experience in Art and Technology.”Massachusetts Institute of Technology, 2013
R.C. Baker, “Mark Lombardi’s World Conspiracy, Corruption and Vatican Hit Men,” Village Voice, March 2, 2011
Albrecht, Max F. “Artist of the Week: Mark Lombardi,” Geldoderleben, November 15, 2010.
Rosenberg, Karen. “The Lights of Big Brother’s Eyes, Blinking in the City,” The New York Times, August 20, 2010. P. C25
Smith, Roberta. “Cosmologies,” The New York Times, Friday, February 2, 2007
Herrera T., Adriana. “Sombra de Irak en The Moore Space,” El Neuvo Herald.
Weinberg, Michelle. “The Color of War: Images of aggression from the boardroom to the battlefield,”
Miami NewTimes, May 5-11. P.46
Roberts-Pullen, Paulette. “Acts of Engagement,” Style Weekly (Richmond, VA) January 19, 2005. P.27
Bustard, Clarke. ‘’The Art of Aggression’ Offers Several Wartime Perspectives,” Richmond Times-
Dispatch, February 13, 2005. P. H1 and H6
Bellet, Harry. “Bâle (suisse) de notre envoyé special,” Le Monde, June 19, 2004
Holger Liebs, “Asoziales Netz,” Süddeutsche Zeitung, January 16, 2004, No.3, pp. 20-25 (illus.)
Benjamin Genocchio, “Biting the Hand that Feeds Them, The New York Times, December 7, 2003.
p15 (illus.)
Laura Auricchio, “Connecting the dots: Mark Lombardi unravels webs of conspiracy at the Drawing
Center, Time Out NY, November 20–27, 2003. p.86 (illus.)
Michael Kimmelman, “Webs Connecting the Power Brokers, the Money and, Ultimately, the World,”
The New York Times, November 14, 2003. p.E36 (illus.)
“The ‘Conspiracy’ Art of Mark Lombardi,” NPR, November 1, 2003
Tan Lin, “Following the Money,” Art in America, November 2003. pp. 142-147, 177 (illus.)
Eleanor Heartney, “The Sinister Beauty of Global Conspiracies: Mark Lombardi’s Delicate Drawings Show
Everything’s Connected (and Not in a Good Way),” The New York Times, Sunday Arts Section,
October 26, 2003. p. AR31 (illus.)
Elena Sorokina, “Williamsburg–das New Yorker Galerienwunder,” Junge Kunst, Nr. 56, Fall 2003.
pp.22-27 (illus.)
Stéphane Roussel, “Polyculture de l’imaginaire,” Art Contemporain, 05-11 September, 2003.
Elisabeth Wetterwald, “GNS, Palais de Tokyo,” Art Press, September 2003.
Deven Golden. “Makr Lombardi,” Bomb Magazine, Fall 2003, No. 85. pp. 102-4 (illus.)
Genevieve Breerette, “Des geographies imaginaries dominées par l’informatique,” Le Monde,
15 August, 2003.
Claude Lornet, “Global Navigation System,” La Libre Belgique, 27 August, 2003.
Michael Scott, “Following the Lines,” Vancouver Sun, Arts & Life Magazine, June26–July 3, 2003.
Bernard Marcadé, “G.N.S. Leçcon de géo au Palais de Tokyo,” Beaux Arts Magazine, July 2003.
Dan Tranberg, “The State of world affairs, as seen by 3 artists,” The Plain Dealer, June 28, 2003. pp. E1, E5Aarons, Mark and John Loftus.Unholy Trinity: How the Vatican’s Nazi Networks Betrayed Western Intelligence to the Soviets. New York: St. Martin’s Press, 1991.
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“The ‘Offshore’ Phenomenon: Dirty Banking in a Brave New World,” Cabinet Magazine, Issue 2, Spring 2001: pp.86-89
“Hot Money and Perilous Politics: Dirty Banking in a Brave New World,” Artlies, Houston, TX June 1996: pp.11-14
“BCCI, ICIC, & FAB c. 1972-91,” Gulf Coast, Houston, TX, Summer/Fall 1996


The Museum of Modern Art. New York, NY
The Whitney Museum of American Art. New York, NY
The New Museum (Gift of the Altoids Seriously Strong Collection). New York, NY
The Jewish Museum. New York, NY
The Reina Sofia Museum. Madrid, Spain
The Smithsonian American Art Museum, Washington, D.C.
Various private collections