Art in America | Sarah Walker >> Walker suggests force fields and event horizons. Partially Seen Things (all works 2010) sports intersecting cantilevered dumbbell shapes—looking something like a misbegotten Eames coatrack—in electric azure and ruddy plum. Irregularly spaced yellow-green stripes race through … Continue reading →

Art Critical Online Magazine | Ati Maier >> “Maier’s most recent work is denser than previous and more varied in its markmaking. The imagery is increasingly abstracted and acquiescent to less identifiable and circuitous patterning. Works such as Disappeared Time and The … Continue reading →

William Lamson | The New York Times >> “Mr. Lamson’s action has a sweet pathos about it: he’s a tiny man making his mark in the wilderness. There is an obliquely comical aspect, too, in the nostalgic effort to revive … Continue reading →

Daniel Zeller & Ati Maier | L Magazine >> “Maier’s work remains partly rooted in figuration, as in the large-scale piece that gives her exhibition its title, “Giant Dipper” (2010), where thick, swooping lines of ink and airbrushed paints in … Continue reading →

Dawn Clements | Hales Gallery >> “Dawn Clements work often begins as a small drawing of a single figure, object or space from life, film or TV. To these more paper is often added making the process a very organic way … Continue reading →