Roxy Paine Bio


New York, NY 1966

Pratt Institute, New York, NY
College of Santa Fe, NM

Museum of Contemporary Art, Los Angeles, CA
National Gallery of Art, Washington, DC
National Gallery of Canada, Ottawa, Ontario,
Nelson-Atkins Museum of Art, Kansas City, MO
Crystal Bridges Museum of American Art, Bentonville, AR
De Pont Museum of Contemporary Art, Tilburg, The Netherlands
Denver Art Museum, Denver, CO
Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI
The Israel Museum, Jerusalem
City of Beverly Hills, CA
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Il Giardino Dei Lauri, Città della Pieve (PG), Italy
Modern Art Museum of Fort Worth, TX
Museum of Modern Art, New York, NY
The New School for Social Research, New York, NY
NMAC, Cadiz, Spain
North Carolina Museum of Art, Raleigh, NC
Olympic Sculpture Park, Seattle Art Museum, WA
Rose Art Museum, Brandeis University, Waltham, MA
Saint Louis Art Museum, St. Louis, MO
San Francisco Museum of Modern Art, CA
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Wanas Foundation, Knislinge, Sweden
Whitney Museum of American Art, New York, NY
Brooklyn Museum of Art, Brooklyn, NY

Roxy Paine, Gund Gallery, Columbus, Ohio, Jan 2016 thru May 2016
Natura Naturans, Villa Panza, Varese, Italy, June 2015 thru May 2016
Denuded Lens, Marianne Boesky Gallery, New York, NY
Apparatus, Kavi Gupta, Chicago, IL
Roxy Paine: Scumaks and Dendroids, Nelson-Atkins Museum of Art, Kansas City, MO
Roxy Paine: Distillation, James Cohan Gallery, New York, NY
Roxy Paine, WANAS Foundation, Knislinge, Sweden
Roxy Paine: Dendroid Drawings and Maquette’s, James Cohan Gallery, New York, NY
Roxy Paine on the Roof: Maelstrom, Metropolitan Museum of Art, New York, NY
Roxy Paine: SCUMAKS, James Cohan Gallery, New York, NY
Roxy Paine, Madison Square Park, New York, NY
Roxy Paine: PMU, curated by Bruce Guenther, Portland Museum of Art, Portland, OR, February 25 – May 28
Roxy Paine: New Work, James Cohan Gallery, New York, January 14 – February 25
Defunct, Aspen Art Museum, Aspen, CO
James Cohan Gallery, New York, NY, November 8 through December 22
Scumaks, Bernard Toale Gallery, Boston, MA
Roxy Paine: Second Nature, co-curated by Joseph Ketner and Lynn Herbert, Rose Art Museum,
Brandeis University, Waltham, MA. Traveled to Contemporary Arts Museum, Houston, TX; SITE
Santa Fe, New Mexico;
De Pont Foundation for Contemporary Art, Tilburg, Netherlands (April 2002 through January 2004) (catalogue)
Museum of Contemporary Art, North Miami, FL, November 11, 2001 through January 27, 2002
Grand Arts, Kansas City, MO, June 29 through August 11
Christopher Grimes Gallery, Los Angeles, CA, May 26 through June 30
James Cohan Gallery, New York, April 5 through May 5
Galerie Thomas Schulte, Berlin, Germany, February 13 through April 20
Roger Bjorkholmen Gallery, Stockholm, Sweden, February 26 through March 31
Ronald Feldman Fine Arts, New York, NY, January 9 through February 13
Musee D’Art Americain Giverny, Giverny, France, June 1 through November 15; traveled to Lunds
Kunsthall, Lund, Sweden, March 6 through April 18
Renate Schroder Galerie, Koln, Germany, April 24 through June 6
Ronald Feldman Fine Arts, New York, NY, March 15 through April 26
Temple Gallery, Tyler School of Art, Temple University, Philadelphia, PA, September 5 through October 11
Ronald Feldman Fine Arts, New York, NY, April 29 through June 3
Herron Test-Site, Brooklyn, NY, October 9 through November 8
Horns, The Knitting Factory, New York, NY, December 3 through 31


Audacious: Contemporary Artists Speak Out, March 2016 – February 2017, Denver Art Museum, Denver CO.
Social Ecologies, Rail Curatorial Projects, December 5, 2015 – February 21, 2016, Industry City, Brooklyn NY.
Devotion, Catinca Tabacaru Gallery, Co-curated by Will Corwin, November 21, 2015 – January 17, 2016, NY, NY.
20 Years / 20 Shows, SITE Santa Fe, March 12 – May 31, Santa Fe, NM.
Sweet Sensation: UConn Reads ‘The Omnivore’s Dilemma, William Benton Museum of Art, February – March, curated by Jean Nihoul
Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY.
Imagine Art in Nature, House of Sweden, Washington, DC, September 25, 2014 through February 24, 2015
Spaced Out: Migration to the Interior, an exhibition by Phong Bui and Rail Curatorial Projects, Red Bull Studio New York, October 10 through December 14
Temporal Domain, Peters Projects, Santa Fe, NM
Blood Flames Revisited, curated by Phong Bui, Paul Kasmin Gallery, New York, NY
The Hidden Passengers, organized by Avi Lubin, Apex Art, New York, NY
Four Decades of Drawings and Works on Paper, John Berggruen Gallery, San Francisco, CA
Pace Gems: Selections from the Linda Pace Foundation Permanent Collections, The Linda Pace Foundation Gallery, San Antonio, TX
Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL
Selection of Artworks from the Cleve Carney Collection, Cleve Carney Art Gallery, Glen Ellyn, IL
Committed to Paper: Master Drawings and Prints by Sculptors, Frederick Meijer Gardens and Sculpture Park, Grand Rapids, MI
Out of Hand, Museum of Art and Design, New York, NY
Gravity of Sculpture: Part II, Dorsky Gallery, Long Island City, NY
Out of the Ordinary, Hirshhorn Museum and Sculpture Garden, Washington D.C.
Lifelike, Walker Art Center, Minneapolis, MN
Color in Flux, Westerburg Museuum fur modern Kunst, Bermen, Germany
Nod Nod Wink Wink: Conceptual Art in New Mexico and Its Influences, The Harwood Museum of Art, Taos, New Mexico
The Secret Life of Trees, Monica de Cardenas Galleria, Zuoz, Switzerland
Out of the Woods, Leslie Tonkonow, New York
17th Biennale of Sydney; The Beauty of Distance: Songs of Survival in a Precarious Age, Sydney, Australia
Reflection, Refraction, Reconfiguration: Mediated Images from the Collection of Polly and
Mark Addison, University Art Museum, Colorado State University, CO
Remote Proximity: Nature in Contemporary Art, Kunstmuseum Bonn, Germany
The Rose at Brandeis: Works From the Collection, The Rose Art Museum, Brandeis University,
Waltham, MA
Bending Nature, Franklin Park Conservatory, Columbus, OH Bizarre Perfection, Israel Museum,
Jerusalem, Israel
Freedom: Den Haag Sculptur 2008, The Hague, The Netherlands
Public Art Projects: Art Basel 39, Basel, Switzerland
Paragons: New Abstraction from the Albright-Knox Gallery, Doris McCarthy Gallery, University of Toronto Scarborough, Toronto, Ontario
Delicatessen, Florida Atlantic University Dorothy F. Schmidt Center Gallery, Boca Raton, Florida
Art Machines/Machine Art, Schirn Kunsthalle, Frankfurt, Germany; traveling to Museum Tinguely, Basel, Switzerland (through July 2008)
Molecules that Matter, Tang Teaching Museum, Saratoga Springs, NY; traveling to the Chemical Heritage Foundation, Philadelphia, Pennsylvania, and the College of Wooster Art Museum, Wooster, Ohio (through May 2009)
The Outdoor Gallery: 40 Years of Public Art in New York City Parks; The Arsenal Gallery in Central Park, New York, NY
Drawings from the Collection of Martina Yamin, Davis Museum and Cultural Center, Wellesley College, MA
Recent Acquisitions, Musée d’art Contemporain de Montréal, Montreal, Canada (Oct. 28, 2006 through March 25, 2007)
Meditations in an Emergency, MOCAD, Detroit, Michigan (Oct. 28, 2006 through April 29, 2007)
A Brighter Day, James Cohan Gallery, New York, NY 2006
Garden Paradise, curated by Lacy Davisson Doyle and Clare Weiss, The Arsenal Gallery in Central Park, New York, NY
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY (March 7 through April 9, 2006)
Uneasy Nature, curated by Xandra Eden, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC, February 18 through May 28, 2006
Ecstasy: In and About Altered States, organized by Paul Schimmel with Gloria Sutton, Museum of
Contemporary Art, Los Angeles, CA (catalogue)
The Empire of Sighs, Numark Gallery, Washington D.C.
Extreme Abstraction, Albright Knox Art Gallery, Buffalo, NY
Sculpture, James Cohan Gallery, New York, NY
Flower Myth. Vincent van Gogh to Jeff Koons, Fondation Beyeler, Riehen/Basel, Switzerland
MATERIAL TERRAIN: A Sculptural Exploration of Landscape and Place, curated by Carla Hanzal,
commissioned by Laumeier Sculpture Park, St. Louis, MO. Traveling to Santa Cruz Museum of Art and History, Santa Cruz, CA; University of Arizona Museum of Art, Tucson, AZ; Memphis Brooks
Museum of Art, Memphis, TN; Cheekwood Museum of Art, Nashville, TN; Lowe Art Museum,
University of Miami, Coral Gables, FL (February 2005 through December 2007) (catalogue)
PILLish: Harsh Realities and Gorgeous Destinations, curated by Cydney Payton, Museum of Contemporary Art/ Denver, CO (through January 2, 2005)
Paintings That Paint Themselves, or so it seems, Kresge Art Museum, Michigan State University, East Lansing, MI
The Flower as Image, Louisiana Museum for Moderne Kunst, Humlebæk, Denmark Summer Show,
James Cohan Gallery, New York, NY
Between The Lines, James Cohan Gallery, New York, NY
Natural Histories: Realism Revisited, Scottsdale Museum of Contemporary Art, Scottsdale, AZ, May 29 through September 12, 2004
Work Ethic, Baltimore Museum of Art, Baltimore, Maryland, October 12, 2003-January 11, 2004; and at the Des Moines Center for the Arts, May 15 through August 1, 2004
UnNaturally, organized by Independent Curators International (iCI), curated by Mary-Kay Lombino. Traveled to Contemporary Art Museum, University of South Florida, Tampa, FL;
H & R Block Artspace at the Kansas City Art Institute, Kansas City, MO; Fisher Gallery,
University of Southern California, Los Angeles, CA; Copia: The American Center for Wine, Food and the Arts, Napa, CA; Lowe Art Museum, University of Miami, Coral Gables, FL (January 2003 through November 2004) (catalogue)
The Great Drawing Show 1550-2003 A.D, Michael Kohn Gallery, Los Angeles, April 12 through May 31
Decade, Schroeder Romero, Brooklyn, New York, April 11 through May 19
Early Acclaim: Emerging Artist Award Recipients 1997-2001, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 22 through December 31
The Whitney Biennial in Central Park, curated by Tom Eccles, organized by the Public Art Fund, New York in collaboration with The Whitney Museum of American Art, New York
Painting Matter, James Cohan Gallery, New York, May 3 through June 15, 2002
Brooklyn!, Palm Beach Institute of Contemporary Art, September 4 through November 25, Arte y Naturaleza, Montenmedio Arte Contemporaneo (NMAC), Outdoor Sculpture Garden, Cadiz, Spain, June 2 through October 2, 2001 (catalogue)
Present Tense 6, Israel Museum, Jerusalem, Israel, May – December
01.01.01: Art in Technological Times, San Francisco Museum of Modern Art, March 3 – July 8,
Waterworks: U.S. Akvarell 2001, curated by Kim Levin, Nordiska Akvarellmuseet, Skarhamn, Sweden, May 19 through September 2, (catalogue) All-Terrain, Contemporary Art Center of Virginia, Virginia Beach,
VA, February 22 through April 29
A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection, California
College of Arts and Crafts, January 17 through March 3
Give and Take, Serpentine Gallery in collaboration with the Victoria and Albert Museum, January 30 through
April 1
Making the Making, Apex Art, New York, January 5 through February 3
From a Distance: Approaching Landscape, curated by Jessica Morgan, Institute of Contemporary Art, Boston, July 19 through October 8
WILDflowers, Katonah Museum of Art, Katonah, NY, July 18 through October 3
Working in Brooklyn: Beyond Technology, Brooklyn Museum of Art, Brooklyn, NY, July 1 through September 12
5th Lyon Biennale of Contemporary Art: Sharing Exoticism, Lyon Biennale, Lyon, France, June 27 through September 24
Vision Ruhr, Dortmund Coal Factory, Dortmund, Germany, May 11 through August 20
The Greenhouse Effect, Serpentine Gallery, London, April 4 through May 21
Sites Around the City: Art and Environment, curated by Heather Sealy Lineberry, Arizona State
University Art Museum, Tempe, AZ, March 4 through June 4
Greater New York: New Art in New York Now, P.S.1 Contemporary Arts Center in collaboration with The
Museum of Modern Art, February 27 through April 16, 2000
Visionary Landscape, Christopher Grimes Gallery, Santa Monica, CA, January 8 through February 19
The End, Exit Art/The First World, New York, January 29 through April 8
As Far As the Eye Can See, Atlanta College of Art Gallery, Atlanta, GA, January 29 through March 7, 2000 (catalogue)
Best of the Season: Selected Work from the 1998-99 Gallery Season, Aldrich Museum of
Contemporary Art, Ridgefield, CT, September 26 through January 9, 1999
1998 Interlacings: The Craft of Contemporary Art, Whitney Museum of American Art
At Champion, Stamford, CT, September 10 through November 21, 1998
22/21 Emily Lowe Gallery/ Hofstra Museum, Hempstead, NY, September 8 through October 25
Elise Goodheart Fine Art, Sag Harbor, NY, July 24 through August 16
DNA Gallery, Provincetown, MA, July 17 through August 5
Nine International Artists at Wanas 1998, Wanas Foundation, Knislinge, Sweden, May 24 through Oct 18
Landscapes, Meyerson & Nowinski, Seattle, WA, January 8 through March 1
Redefinitions, A View From Brooklyn, California State University, Fullerton, CA, November 9 through
December 11
Sculpture, James Graham & Sons, New York, NY, July 10 through August 29
Summer of Love, Fotouhi Cramer Gallery, New York, NY, July 2 through August 2
Artists Respond to 2001: Space Odyssey, Williamsburg Art and Historical Society, Brooklyn, NY, June 21 through July 26
Benefit for Pat Hearn, Morris-Healy Gallery, New York, NY, February 26 through March 9
9 to 5 at Metrotech: The Public Art Fund, Brooklyn, NY, October 30, 1997 through May 31
Best of the Season 1996-97, The Aldrich Museum of Contemporary Art, Ridgefield, CT, September 14 through January 4 (catalogue)
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY, July 25, 1997 through January 25
Imaginary Beings, Exit Art/The First World, New York, NY, December 2 through January 27
Art on Paper, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC, November 12 through January 21 (catalogue)
Human/Nature, The New Museum of Contemporary Art, New York, NY, April 20 through May 18
Better Living Through Chemistry, Randolph Street Gallery, Chicago, IL, March through April
Inside Out, Momenta Art, Brooklyn, NY, September 15 through October 7
Currents in Contemporary Art, Christie’s East, New York, July 22 through July 31
Inside: The Work of Art, California Center for the Arts, Escondido, CA, June 16 through October 13
Wish You Were Here, Bronwyn Keenan Gallery, New York, NY, March 1 through 30
1996 New York State Biennial, New York State Museum Albany, NY, February 8 through May 26
NY Withdrawing, Ronald Feldman Fine Arts, New York, January 13 through February 17
Multiples, Pierogi 2000, Brooklyn, NY, December 2, 1995 through January 15, 1996
Lookin’ Good-Feelin’, 450 Broadway Gallery, New York, NY, December 5 through December 9
Red Windows: Benefit for the Little Red School House, Barney’s Windows, New York, NY, November through December
Spring Benefit, Sculpture Center, New York, NY, April 19
Garden of Sculptural Delights, Exit Art/The First World, New York, NY, March 2 through April 23
Free Falling, Berlin Shafir Gallery, New York, NY, January 22 through February 19
UNTITLED (14), Ronald Feldman Fine Arts, NY, November 13 through December 23
INFLUX, Gallery 400, Chicago, IL, November 3 through December 4
4 Walls Benefit, David Zwirner Gallery, New York, NY, November
Fantastic Wanderings, Cummings Art Center, New London, CT, October 9 through November 10
Extracts, Islip Art Museum, Islip, NY, August 8 through September 19
Popular Mechanics, Real Art Ways, Hartford Ct, June 19 through July 16
Outside Possibilities ‘93, The Rushmore Festival at Woodbury, NY, June 5 through July 4
The Nature of the Machine, Chicago Cultural Center, Chicago, IL, April 3 through May 30 (catalogue)
Out of Town: the Williamsburg Paradigm, Krannert Art Museum, University of Illinois, Champaign, IL, January 22 through February 28 (catalogue)
Fever, Exit Art, New York, NY, December 14, 1992 through February 6
Group, Jimenez-Algus Gallery, Brooklyn, NY, September 13 through October 13
Entropy, Generator 547, New York, NY, August 2 through September 5
Tweeking the Human, Brand Name Damages and Minor Injury Galleries, Brooklyn, NY, June 7 through 31
The Ego Show, Minor Injury, Brooklyn, NY, April 5 through May 2
Desire and Deception, Brand Name Damages, Brooklyn, NY, October 9 through 21
Group Show, Ridge Street Gallery, New York, NY, September 3 through 26
Roxy Paine & David Fasoldt, Brand Name Damages, Brooklyn, NY, March 29 through April 16

The Asher B. Durand award for artistic accomplishment by the Brooklyn Museum
John Simon Guggenheim Memorial Foundation Fellowship
Trustees Award for an Emerging Artist, Aldrich Museum of Contemporary Art, Ridgefield, CT


Bernardini, Anna and Vettese, Angela, “Roxy Paine Opere-Works 1993-2015,” Fonde Ambiente Italiano, Villa Panza, Italy
Bui, Phong and Rail Curatorial Projects, “Spaced Out Migration to the Interior.” 2013
Labaco, Ron, Out of Hand, Materializing the Post digital, 2013, Black Dog Publishing
Roxy Paine, Kavi Gupta CHICAGO | BERLIN, exhibition catalog
Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art, ed. Christopher B. Crosman, Manchester and New York: Hudson Hills Press, 2011.
Fensom, Sarah E., “Indoor/Outdoor: The Nelson-Atkins Museum Serves Up the Work of Sculptor Roxy Paine Two Ways,” Art & Antiques, June 2011
Frankel, David. “Roxy Paine: James Cohan Gallery.” Artforum February 2011
Adolph, Volker. “Ferne Nahe: Natur in der Kunst der Gegenwart” (Remote Proximity: Nature in Contemporary Art), Exh. cat., Kunstmuseum Bonn, 2009
Heartney, Eleanor, “Roxy Paine,” New York: Prestel Publishing, 2009
Housefield, James. “Sites of time: organic and geologic time in the art of Robert Smithson and Roxy Paine.” Cultural Geographies 2007; 14; 537
Richer, Francesa and Matthew Rosenzweig. “No. 1: First Works by 362 Artists.” New York: DAP, 2006
“A Brighter Day,” James Cohan Gallery, New York, NY exh. cat.
Beverly Penn: “Weeds,” Exh. cat., El Paso Museum of Art, El Paso, TX, pg. 22
Mark, Lisa, ed. “Ecstasy: In and About Altered States” (exhibition catalogue). The Museum of
Contemporary Art, Los Angeles, CA, 2005. Essays by Carolyn Christov- Bakargiev, Diedrich
Diedrichsen, Chrissie Iles, Lars Bang Larsen, Midori Matsui, and Paul Schimmel.
Skov Holt, Steven and Mara Holt Skov. “Blobjects & Beyond.” San Francisco: Chronicle Books
Essays by Steven Skov Holt, Phil Patton, Mara Holt Skov, and Bruce Sterling. 2005
Siegel, Katy and Paul Mattik. “Art Works: Money.” London: Thames and Hudson, 2005.
Flower Myth. “Vincent van Gogh to Jeff Koons (catalogue).” Riehen/Basel: Fondation Beyeler Texts by Ernst Beyeler Christoph Vitali, Robert Kopp, Philippe Büttner and Ulf Küster.
Robertson, Jean and Craig McDaniel. “Themes of Contemporary Art: Visual Art After 1980.” New York: Oxford University Press, 2005.
“The Flower as Image.” Exhibition catalogue, text by Poul Erik Tøjner and Ernst Jonas Bencard.
Louisiana Museum for Moderne Kunst, Humlebæk, Denmark, 2004
“Some Trees.” Amsterdam: Paul Andriesse, 2004. From the exhibition at The Douglas Hyde Gallery,
“Roxy Paine/Bluff.” New York: The Public Art Fund, 2004, introduction text by Susan K. Freedman And Tom Eccles
“Wanås Historia.” Knislinge: The Wånas Foundation, 2004, introduction text by Marika Wachtmeister.
“Open House: Working in Brooklyn.” Exhibition catalogue, introduction by Charlotta Kotik and Tumelo Mosaka, The Brooklyn Museum of Art, Brooklyn, 2004
“Plop: Recent Projects of the Public Art Fund.” New York: The Public Art Fund and Merrell, edited and written by Tom Eccles, Anne Wehr and Jeffrey Kastner
“Intricacy, A Project by Greg Lynn FORM.” Exhibition catalogue, essays by Greg Lynn and introduction by Claudia Gould, Institute of Contemporary Art, University of Pennsylvania, 2003.
Siegel, Katy and Paul Mattik. “Art and Money.” London and New York: Thames & Hudson, 2003.
“Work Ethic,” University of Pennsylvania Press, 2003. From exhibition at the Baltimore Museum of Art, Baltimore and at the Des Moines Center for the Arts
“UnNaturally,” Independent Curators International, New York, texts by and curated by Mary- Kay Lombino.
“Roxy Paine: Second Nature.” Houston: Contemporary Arts Museum, Houston, 2002. Texts by Lynn
Herbert, Joseph Ketner, and Gregory Volk.
“Arte y naturaleza: Montenmedio Arte Contemporaneo.” Exhibition catalogue, Fundación
NMAC, Cádiz, Spain, 2001. Preface by Magda Bellotti, essay by Marika Wachtmeister
Waterworks: U.S. Akvarell 2001. Exhibition catalogue, Nordiska Akvarellmuseet, Skarhamn, Sweden, 2001. Foreword by Berndt Arell, introduction by Kim Levin
Konsten pa Wanas/Art at Wanas, introduction text by Marika Wachtmeister, published Byggforlaget
01.01.01: Art in Technological Times. San Francisco: San Francisco Museum of Modern Art., 2001
Rothkopf, Scott. Roxy Paine. New York: James Cohan Gallery, 2001.
A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection, San Francisco: California College of Arts and Crafts
Sites Around the City: Art and Environment, Arizona State University Art Museum, texts
by Heather Sealy Lineberry, Ronald Jones, Curator Heather Sealy Lindberry
Art Since 1940: Strategies of Being. Fineberg, Jonathan, Second Edition, New York, NY: Harry Abrams
As Far As the Eye Can See, Atlanta, GA: Atlanta College of Art Gallery
In Vitro landscape, Koln, Germany: Buchandlung Walther Koenig, 1999
Hempstead, Robert Morgan, 22/21, New York: Hofstra University, 1998
Wanas 1998. Essay by Robert Storr. Klisline, Sweden: The Wanas Foundation
Best of the Season: Selected Works from 1996-97 Gallery Exhibitions, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1997
Redefinitions: A View from Brooklyn. Essays by Annie Herron and Matt Freedman, Fullerton, CA: Departmental Association Council and Associated Students
Fineberg, Jonathan. Art Since 1940: Strategies of Being. New Jersey: Prentice Hall Press, Kocheiser, Tom. Art on Paper. Greensboro, NC: Weatherspoon Art Gallery, The University of North Carolina, 1995
Out of Town: the Williamsburg Paradigm. Champaign, IL: Krannert Art Museum, University of Illinois
The Nature of the Machine. Chicago: Chicago Cultural Center, 1993


Parasecoli, Fabio, “Food, Politics & Politicians,” Huffington Post, February 2016
Case, Zoe, “Deconstructing [In]securities:” The Collegian, January 2016
di Redazione, “La forza creatrice della natura nelle opere di Roxy Paine e Meg Webster”, May 2015
Macciotta, Valentine, “Natura Naturans di Roxy Paine e Meg Webster: A Villa Panza, Varese” June, 2015
“Exhibition on nature.with works by Roxy Paine and Meg Webster on view at Villa Panza,” Art Daily, June 2015
Roaro, Eleonora, “Natura Naturans. Roxy Paine e Meg Webster a Villa Panza” June 2015, Dars Magazine2014
Goodman, Jonathan. “Dendroids, Replicants and Sculpture Machines.” October Magazine, September 2014
Brody, David. “Denuded Lens: Roxy Paine at Marianne Boesky,” artcritical, October 2014
Viveros-Fauné, Christian. “Roxy Paine Will Warp Your Brain,” The Village Voice, September 2014
Plagens, Peter. “A False Sense of Security and Vivid Views of the World,” The Wall Street Journal, September
Spalding, Jill. “Roxy Paine interview: ‘The best ideas come out of long gestation’, Studio International, November 2014
Goodman, Jonathan. “Roxy Paine-Dendroids, Replicants, and Sculpture Machines,” Sculpture Magazine, October 2014
Brody, David. “Denuded Lens: Roxy Paine at Marianne Boesky,” artcritical, October 2014
Viveros-Fauné, Christian. “Roxy Paine Will Warp Your Brain,” The Village Voice, September 2014
Plagens, Peter. “A False Sense of Security and Vivid Views of the World,” The Wall Street Journal, September 2014
Gauss, Daniel. “Visibility is a trap: Sculptures by Roxy Paine at Marianne Boesky Gallery,” ARTEFUSE, September 2014
Keh, Pei-ru. “Denuded Lens: Roxy Paine creates a life-size airport security checkpoint diorama for a New York show,” *Wallpaper, September 2014
Corwin, Will. “In Conversation: ROXY PAINE with WILL CORWIN,” The Brooklyn Rail, September 2014
Boucher, Brian. “The Art of the Diorama: Roxy Paine’s Security Theater,” Art in America, September 2014
Logan, Liz. “The Art of the Diorama: Roxy Paine’s Security Theater,” ARTnews, September 2014
Piepenbring, Dan. “Incident/Ressurection,” The Paris Review, July 2014
Cascone, Sarah. “A Tree Grows in Philly: Roxy Paine’s New Public Art,” Artnet, May 2014
Johnson, Ken and Martha Schwendener. “Strolling An Island Of Creativity; Two Critics Sample the Frieze Art Fair,” May 2014
Vanhermert, Kyle. “A Life-Size Model of a Fast-Food Joint, Made Entirely of Wood,” February 2014
Peters, Adele. “An Incredibly Detailed Wood Replica of a Fast Food Joint To Make You Question Fast Food,” Fast Company, February 2014
Zhong, Fan. “Unidentified Art Object,” W Magazine, January 2014
Walsh, Brienne. “Roxy Paine: Apparatus,” Art Review, December 2013
Prentnieks, Anne. Roxy Paine’s Apparatus, Artforum, December 2013
Regine. “Out of Hand: Materializing the Postdigital,” We Make Money Not Art, 2013
Morais, Betsy. “A Mad, Mad Science Fair,” The New Yorker, October 2013
Proximity Magazine, Pg. 106-113
Boucher, Brian, “Strong Sophomore Outing for Expo Chicago”, Art in America, September 23, 2013
White Walls, 2012
Thorson, Alice, “Bloch Building branches out with ‘Dendroids’ and ‘Scumak,’” The Kansas City Star, February 19, 2011
Belcove, Julie, “Working Practice: Roxy Paine,” Introspective Magazine, August 2011
Korek, Bettina, “Ed Schad on Roxy Paine’s Erratic: The Newest Addition to the Beverly Hills
Public Art Collection,” The Huffington Post, June 4, 2010
Fortescue, Elizabeth, “Two-tonne nerve centre of Biennale,” The Daily Telegraph, April 28, 2010
Fulton, Sam, “Cockatoo Island proves the star of the Bienniale,” The Sydney Morning Herald, August 4, 2010
“Welt im Stahlgewitter,” A&W Architektur & Wohnen, December 2009/January 2010
Sheets, Hilarie, “Man of Steel,” New York Times, October 13, 2010
“Roxy Paine Makes New “Dendroid” for National Gallery of Art; Slated for Fall 2009 Installation in Sculpture Garden,”, June 3, 2009
“Metro Briefs” The Washington Times, June 3, 2009
“National Gallery commissions Paine for sculpture”, June 2, 2009
Seigel, Miranda, “The Annotated Artwork ‘Maelstrom’,” New York Magazine, April 26,
“Roxy Paine instala un árbol gigante de metal en la azotea del Metropolitan,” El Nacional, April 29, 2009
“Medium Cool,” Time Out New York, April 23-29, 2009
Johnson, Ken, “Even High Atop a Roof It Reaches for the Sky,” The New York Times, April 24, 2009
“Goings on About Town,” The New Yorker, April 20, 2009
“, “Roxy Paine Creates Monumental Sculpture for 2009 Installation of Metropolitan
Museum’s Roof Garden,”, April 16, 2009
Shinn, Dorothy, “Explore beauty of science,” Akron Beacon Journal, March 29, 2009
Peers, Alexandra, “Art Basel: The Art World’s Back, Baby!” Vulture (, December 4, 2009
Duponchelle, Valerie, “Miami, chonique d’une reprise annoncee,” Le Figaro, 5 December 2009
Williams, Tod and Billie Tsien, “Roxy Paine,” BOMB, Spring 2009
Mendelsohn, Meredith, “Roxy Paine: Ceci N’est Pas Un Abre: The Artists Output is Far from Literal,” Art + Auction, February 2009
Hsieh, Catherine Y., “Faux Naturale,” NYArts, September 2008
Robinson, Gaile, “Whether you see an embrace or conflict on the Modern’s lawn depends on your eye,” Star Telegram, July 21, 2008
Vogel, Carol, “Ellsworth Kelly, Basking in Basel,” The New York Times, June 6, 2008 Robinson, Walter, “Baselmania 2008,” Artnet, June 5, 2008
“Roxy Paine: getting back to his roots,” The Art Newspaper Art Basel Daily Edition, June 4, 2008
Brener, Julie, “John Powers in New York,” ArtInfo, February 28, 2008
“Madison Square Park: Roxy Paine,” Sculpture, October 2007
Baker, R.C., “Rust Never Sleeps,” The Village Voice, August 28, 2008
“Goings on About Town: Roxy Paine,” The New Yorker, August 27, 2007
Halle, Howard, “Centerfold: Growing Season,” Interior Design, June 2007
Saltz, Jerry, “Beyond Serra,” New York, June 18, 2007
Genocchio, Benjamin, “Mad. Sq. Art 2007: Roxy Paine,” The New York Times, May 18,2007
Sheets, Hilarie M., “Trunk Show,” TimeOut New York, May 17, 2007 Cohen, David, “How Green is My Sculpture?” New York Sun, May 10, 2007
Vogel, Carol, “Inside Art: MADISON SQUARE ART,” The New York Times, December 1, 2006
Neil, Jonathan T.D., “Do Androids Dream of Making Art,” ArtReview:, Issue 2, August 2006
Baker, R.C., “Best in Show,” The Village Voice, June 29, 2006
Volk, Gregory, “Roxy Paine at James Cohan,”Art in America, May 2006
Castro, Jan Garden, “Collisions,” Sculpture, Vol. 25, No. 4, May 2006
Yau, John, Roxy Paine Interview, SourceCode TV, Season 3, Episode 7, April 2006
McCarthy, John, “Roxy Paine in Ponderland,” Art and Living, 2006, no. 1, p. 40-41.
Trembley, Nicolas, “Déraciné,” Numéro, April 2006
Hall, Emily, “Review: Roxy Paine,” Artforum, April 2006
Wolfe-Suarez, “Ecstasy: In and About Altered States,” Art Papers, March/April 2006
“Rage at the Machine,” The Oregonian, March 31, 2006
Motley, John, The Portland Mercury, March 22, 2006
2006 Row, D.K., “Jackson Pollock, meet ‘PMU,’” The Oregonian, March 5, 2006
Lowenstein, Kate, “Roxy Paine at James Cohan,” Time Out New York, Feb. 23 – March 1, 2006, pg. 66
Wright, Karen, “Roxy Paine at James Cohan,” Modern Painters, Feb. 2006, pg. 120
“Roxy Paine,” MoCA at the Moment, Winter/Spring 2006
Fineberg, Jonathan, Ph.D, “Look Who’s Coming,”, January 31, 2006
Johnson, Ken, “Roxy Paine,” The New York Times, January 27, 2006, section E33
Cohen, David, “Theaters of the Absurd,” Arts & Letters, The New York Sun, January 19,
2006 Peters, Sue, “Sculpting Controversy,” SeattleWeekly, January 18, 2006
Green, Tyler, “Acquisition Alert: MOCA and Roxy Paine,” Modern Art News, May 25,2006
Davis, Erik, “Ecstasy In and About Altered States,” Artforum, January 2006 Ribas, João, “The AI Interview: Roxy Paine,”, January 13, 2006
Kimmelman, Michael, “A Mind-Bending Head Trip (All Legal),” The New York Times, Weekend Arts,
November 4, 2005.
Casadio, Mariuccia, “Grow a Mushroom,” Vogue Italia, August 2005
_____, “Aspen Art Museum Presents Roxy Paine,”, July 28, 2005
Baker, R.C., “Decaying Pixels,” Village Voice, Art, June 1-7, 2005
Johnson, Ken, “Sculpture,” The New York Times, The Listings, Art, Galleries: Chelsea, May 20, 2005
_____, “Outdoor Sculpture Gains Media Acclaim,” Saint Louis Art Museum Magazine, April-June 2005
Weinberg, Michelle, “Get Unreal,” Miami New Times, Art, October 21-27, 2004
Bonetti, David, “The “Placebo” effect”, St. Louis Post-Dispatch, September 05, 2004
Robinson, Walter, “Weekend Update,”, September 17, 2004
MacMillan, Kyle, “Art Unchained Graces Aspen”, The Denver Post, August 27, 2004
Wolgamott, L. Kent, “Artist goes once more unto the ‘Breach’”, Lincoln Journal Star, June13, 2004, p.6k
Giles, Gretchen, “Natural Fool,” North Bay Bohemian, April 28 – May 4, 2004 Hassebroek, Ashley, “Sculpture Takes Root at Sheldon”, Omaha World Herald, Friday, April 23, 2004
Wenz, John, “Tree Sculpture Brings Typical Art Environment Outdoors”, Daily Nebraskan, April 22, 2004
Wolgamott, L. Kent, “New Sculpture Branches Out”, Lincoln Journal-Star, April 21, 2004
Moseman, Andrew, “Metallic tree look-alike takes root on campus”, Daily Nebraskan, April 16, 2004
Hassebroek, Ashley, “Sheldon adds a 21st century sculpture”, Omaha World-Herald, April 4, 2004
Pagel, David, “Reality and irony collide,” Los Angeles Times, Art Review, January 2, 2004
Hu, Li, “Timecode”, 32 New York/ Beijing, Issue 2, 2003, pp. 6, 8, 9.
Lafuente, Pablo, “8th International Istanbul Biennial”, Art Monthly, November 2003, pp. 26- 27
Gopnik, Blake, “Redefining Art? They Managed.”, The Washington Post, October, 19, 2003
O’Sullivan, Michael, “BMA Tests Audience’s ‘Work Ethic’”, The Washington Post, October, 17, 2003
McNatt, Glenn and Mary Carole McCauley, “Pass the Art, Please”, The Sun, October, 13, 2003
“Work Ethic: Baltimore”, Flash Art, Vol. XXXVI, No. 232, October 2003, p. 44. Van Malsen, Annemarie, “Koud Kunstje”, Barbants Dagblad, October 28, 2003 Schoonen, Rob, “’Ik hou van tegenstellingen”,
Brabants Dagblad, September 18
“Botanische vormen”, Review, Volkskrant, September 18, 2003
“Washington’s Museums Traverse Miles and Eras”, The New York Times, Aug. 22, 2003, p.E31
Wilson, Peter, “Intersections: Art and New York Green”, Paper Sky, Summer 2003, no. 6, p. 53
Bennett, Lennie, “Fooling around with Mother Nature,” St. Petersburg Times, January 26, 2003
Dwell, Exhibits, “Roxy Paine/Second Nature” at the Contemporary Arts Museum in Houston, TX,
December 2002, p. 98
Klaasmeyer, Kelly, “Nature Vs. Nurture: Roxy Paine Turns Fake Flowers and Painting Machines into
High Art”,, December 5, 2002
Madoff, Steven Henry, “Nature vs. Machines? There’s No Need to Choose.” The New York Times, June
9, 2002, p. A33
“Roxy Paine at Bernard Toale Gallery, Boston”, The Week Magazine, vol.2, issue 55, May 10-16, 2002
McQuaid, Cate. “A striking show at the Rose Museum explores art in the machine.” The
Boston Globe, May 7, 2002, p. C4
Schmidt, Jason. “Outsider Art.” V magazine, March/April 2002
Henry, Clare. “The Art of Listening Carefully.” Financial Times, Wednesday, March 27, 2002, p. 11
“Happening; Museum Parking.” New York, March 18, 2002
Giuliano, Charles, “Narcotics and Robotics: The Post Mechanical Duality of Roxy Paine”,
East Boston Online, April 28, 2002, Issue no. 62
Schoeneman, Deborah. “Gallery on Grass, Take a sculpture hike through Central Park.” The
New York Post, March 7, 2002
Gardner, James. “Witless Whitney.” New York Post, March 7, 2002
Robinson, Walter. “Weekend Update.”, March 7, 2002
Bischoff, Dan. “Moving Images” The Star Ledger, Thursday March 7, 2002
Budick, Ariella. “Pieces of the Biennial Take to the Park.” Newsday, New York City, Wednesday, March
6, 2002
2002 McGee, Celia. “A Breath of Fresh Air.” Daily News, Sunday March 3, 2002, p. 15
Plagens, Peter. “This Man Will Decide What Art Is”. Newsweek, March 4, 2002, p. 54-56. Vogel, Carol. “Sometimes, Man Can Make a Tree.” The New York Times, February 27, 2002, pp. A1, B1, B6
Griffin, Tim. “Bi Curious.” Time Out New York, February 21-28, 2002, pp. 18-20
Vogel, Carol. “A Homegrown Biennial.” The New York Times, Friday, November 16, 2001
Hammond, Anna. “Roxy Paine at James Cohan.” Art in America, Sept. 2001, p156
Iannaccone, Carmine. “Roxy Paine at Christopher Grimes Gallery.” Frieze, September 2001, pp. 93-94
Thorson, Alice. “Art Machines That Make Big Decisions.” Kansas City Star, July 29, 2001, pp. 1-3
Molina, Margot. “El sueño de un bosque de verano.” El País, June 23, 2001, p.29
Knight, Christopher. “Roxy Paine.” The Los Angeles Times, June 15, 2001, p. F26
“Naturaleza en el nuevo Museo de Montenmideo.” El País, June 6, 2001, p. 62
Sichel, Berta. “El arte interviene en el paisaje.” El Periodico Del Arte, June 20, 2001, p.5
Gonzalez, Maria. “Arte En Liberato.” Ideal, June 3, 2001, p.58
Bonetti, David, “High on Tech”, Datebook- San Francisco Chronicle, June 3, 2001, p. 54
Werthem, Margaret. “Worlds Apart.” LA Weekly, May 18, 2001, pp. 12, 37
Goldberg, David, “‘010101: Art in Technological Times’ at SFMOMA” Artweek, May 2001, p. 12
Rogina, Kresimir, “Izlozaba ‘010101’”, Croatian Daily, May 2001
Yablonsky, Linda. “Roxy Paine: New Work.” Time Out New York, April 26-May 3, 2001, p. 63
Levin, Kim. “Voice Choices.” Village Voice, April 24, 2001, p.80
“Roxy Paine”, The New Yorker, review, April 23, 2001
Hand, Eric, “SF MOMA’s ‘010101’: Digital art for analog people”, Stanford Daily, April 12, 2001
Sheets, Hilarie. “Spring Art Walk.” New York Observer, April 2, 2001, p.4
Gonzalez-Barba, Andres. “Nueve artistas exponen sus obras en plena redacción, “La Primera E Sculptura En Montenmideo.” Diario De Cadiz, March 23, 2001, pp. 45-47
Muchnic, Suzanne. “Museum Chief.” The Los Angeles Times, March 18, 2001, pp. 5, 90, 91
“010101: Roxy Paine”, Weird News,,1284,42178,00,March, 2., 2001
Rugoff, Ralph, “Virtual Corridors of Power”, London Financial Times, March 2001
Landi, Ann, “The Big Dipper.” ARTnews, January 2001, pp. 136-139
2000 Johnson, Ken. “Extra Ordinary.” The New York Times, June 9, 2000, p. E29
Tumlir, Jan. “The Visionary Landscape.” Frieze, May 2000, pp. 114-115
Staple, Polly. “The Greenhouse Effect.” Art Monthly, May 2000, pp. 38-40
Searle, Adrian. “Stuck in the Woods.” The Guardian, April 4, 2000
Cambell, Clayton. “The Visionary Landscape.” Flash Art, March-April 2000, p. 62 Heiss, Alanna. “Greater New York.” NYArts, March 2000, pp. 44-45
Nordlinger, Pia. “Double Dipping.” ARTnews, March 2000, p. 34
Saltz, Jerry. “Greater Expectations.” Village Voice, March 14, 2000, p. 67
O’Connel, Kim. “Fungus Among Us.” Landscape Architecture, March 2000, p.1
Nahas, Dominique. “Roxy Paine.” Flash Art, vol. 32, May/June 1999, pp. 114-115
Lin, Tan. “Fungi of False Reproduction”, ArtByte, vol.2, no.1, April/May 1999, p. 64
Weil, Rex. “Roxy Paine.” ARTnews, April 1999, pp. 119-120
Klein, Mason. “Roxy Paine”. Artforum, vol. 37, no 8, April 1999, p. 123
“Tillbaka till naturen: Roxy Paines omsorfgsfulla lekfullhet smittar.” Hallandsposten, (Sweden) March
26., 1999
Kjellgren, Thomas, “Under ytans ordning finns det okontrollerbara.” Kristianstedsbladet, Sweden, March
25, 1999
Jonsson, Dan. “Tur och retur till naturen.” Express (Sweden), March 25, 1999
Klinthage Lorgen. “Vart behov att beharska naturen.” Arbetet Nyheterna (Spring), March 22, 1999
Ellerstrom, Jonas. “Drogromantik eller kulturkritik?” Helsingborgs Dagblad (Sweden), March 22, 1999
Malmqvist, Conny C-A. “Roxy Paine gorett konststycke….” Kv Kvallsposten (Sweden), March 16, 1999
Strom, Eva. “Nice flowers with chilly undertone.” Svenska Dagbladet (Sweden), March 13, 1999
Kyander, Pontus. “Art Gallery filled with unnature”. Sydsvenskan (Sweden), March 9, 1999 Nordstrom, Nicklas. “2000 svampar ger eftertanke”. Lund Langlordag, Sweden, March 6, 1999
Hall, Kim. “Brooklyn-komstnar pa Lunds konsthall” Skanska Dagbladet (Sweden), March 6, 1999
Billgren, Cecilia. “Utvecklingsstord lamnades ensam.” Arbetet Nyheterna (Sweden), March 6, 1999
Burrows, David, “Dunkin’ Donuts.” Art Monthly, March 1999, pp. 6-10
Bakke, Erik and Shelley Ward. “Mob Rule: Sculpture After Hanson.” NY Arts, March, pp. 10-13
Kino, Carol. “Roxy Paine.” Time Out NY, 176, February 4-11, 1999, p.57
Pedersen, Victoria. “Gallery Go ‘Round: Roxy Paine”. Paper, February 1999, p. 136
Pinchbeck, Danie. “Our Choice of Contemporary Galleries in New York.” The Art Newspaper, 89,
February 1999, p. 72
Maxell, Douglas. “Roxy Paine”. Review, February 1, 1999, p.7
Multer, Mario. “Roxy Paine.” Review, February 1, 1999, pp. 7-9
“Roxy Paine,” The New Yorker, February 1, 1999, p.12
“Roxy Paine,” Simon Says, February 1999
Levin, Kim. “Roxy Paine” Village Voice, January 26, 1999, p.68
“Roxy Paine,” January 19, 1999
Johnson, Ken. “Roxy Paine”. The New York Times, January 15, 1999, p. E42
Levin, Kim. “Roxy Paine.” Village Voice, January 12, 1999, pp. 77-78
Lautman, Victoria. “No Weeding Necessary.” Interview, January 1999, p.20
1999 Schwabsky, Barry. “Surrounded by Sculpture,” Art in America, 87, January 1999, pp. 56-59
Bakke, Eric. “Roxy Paine, Studio Visit.” NY Arts, January 1999, p. 44
…..“Roxy Paine.”, 1999
Henry, Max. “Gotham Dispatch”. Artnet Magazine,, 1999
Cooney, Beth. “The Craft of Art.” The Advocate & Greenwich Time, October 11, 1998
ARTS, D3, Costa, Edurado. “Crafty Contemporanea”, 1998
Hackett, Regina. “Warmth and romance prove elusive in Meyerson &
Nowinski’s ‘Landscape”, Seattle Post-Intelligencer, January 9, 1998
Updike, Robert. “Beyond Pretty Scenery.” Visual Arts, 1998
Zimmer, William. “Seven Artists Apply Craft to Fine Art.” The New York Times, October 11, 1998, p. 24
Frey, Jennifer, “Lacing Art and Craft into One Form.” Weekend, September 10-September 16, 1998
Gignoux, Sabina. “Les jeux ambigus d’une naturelle inspiration.” La Croix (France), August 1998
Lind, Ingela. “Naturen som hot.” Dagens Nyheter (Sweden), July 30, 1998
“Champs artificiels… et machine a peindre”. Eure Inter (France), July 9, 1998
“Les champs de Roxy Paine.” La Depeche d’Evreux (France), July 2, 1998
“Champs artificiels et machine a peindre au musee d’art americain de Giverny.” LeDemocrata (France),
July 1, 1998
Schon, Margaretha. “Med freestyle och insiders I Wanas Walk.” Svenska Dagbladet Sweden, June 13,
1998, p.13
Ahistrom, Crispin. “Intelligenta naturlekar.” Goteborgs-Posten (Sweden) June 5, 1998, p. 48
“In the Public Realm.” Inprocess 6, no. 3, Spring 1998, p. 5
Kyander, Pontus, “Elegant och intelligent” Sydsvenskan (Sweden), May 27, 1998
JK. “An Opium Field – Deceptively Natural.” Kolner City-Observer, Germany, May 14, 1998
Fredericksen, Eric. “Landscapes and Suburbs: Beyond Nature.” The February Stranger 5, “Paper Trail. “On Paper vol. 2, no.3, January–February 1998, p. 7
Glueck, Grace, “A Chair, a Fireplace, Binoculars: Sculpture to Be Seen on the Street,” The New York
Times, January 16, 1998, p. E39
Bonetti, David. “What It Is ‘To BE Real’.” San Francisco Examiner, January 12, 1998, C-1, p.17
Nowinski’s ‘Landscape” Seattle Post-Intelligencer, January 9, 1998
1997 Baker, Kenneth. “When Reality is Just Another Medium.” San Francisco Chronicle Datebook,
December 23, 1997
Pollack, Barbara. “Buying Smart: Top Collectors Share Their Secrets.” ARTnews, vol. 96, no.11,
December 1997, pp. 137-39
Nassau, Lawrence. “Current Undercurrent: Working in Brooklyn.” NY Arts, no.14, October 1997, p.16
Chaiklin, Amy. “Studio Visits: Roxy Paine.” NY Arts, no. 14, October 1997, p. 12
“Aldrich gives award to ‘emerging’ artist.” The Ridgefield Press, October 23, 1997
“Best Do-It-Yourself Art Kits: Roxy Paine.” NY Press Best of Manhattan vol. 10, no. 39, September
24-30, 1997, p. 197
Arning, Bill. “Brooklyn in the House.” Village Voice XLII, no. 34, August 26, 1997, p. 87
Schmerler, Sarah, “Last Exit to Brooklyn.” Time Out New York, no. 97, July 31-August 7, 1997, p. 40
Dalton, Jennifer. “Just What Do You Think You’re Doing Dave?” Review vol. 2, no. 19, July/August
1997, p. 20
Gibson, David. “Roxy Paine: Dunk/Redunk; Ronald Feldman Fine Arts.” Zingmagazine, no. 4, Summer
1997, pp. 249-50
Dellolio, Peter. “Roxy Paine.” New York Soho, April 1997, p. 19
Levin, Kim. “Roxy Paine.” The Village Voice: Voice Choices XLII, no.14, April 8, 1997, p.13
Smith, Roberta. “Roxy Paine”. The New York Times, Friday, April 4, 1997, p. C28
Pedersen, Victoria. “Gallery Go Round.” Paper, April 1997, p. 54
Smith, Roberta. “Inside/Out.” The New York Times, September 20, 1996 Levin, Kim. “Choices.” The Village Voice XLI, no. 11, March 12, 1996, p. 8
“Check it out.” The Print Collector’s Newsletter XXVI, no. 5, November-December 1995, 177
Humphrey, Jacqueline. “Art on Paper acquisitions reflect a new Weatherspoon.” Greensboro News &
Record, November 17, 1995
Heartney, Eleanor. “Roxy Paine at Ronald Feldman.” Art in America 83, no. 11, November 1995, pp.
Light, Flash. “The Neo-Kinetic Closet.” Movements 4, no. 1, Fall 1995, pp.1, 9-11 “Sacraments for a
High Priest”. Harper’s, 291, no. 1742, July 1995, p. 22
“Galleries.” New York Press 8, no. 21, May 24-30, 1995, p. 56
“Also of Note.” The New York Times, Friday, May 19, 1995, p. C28
Hess, Elizabeth. “Cross Hatching.” The Village Voice XL, no. 20, May 16, 1995, p.86 Levin, Kim. “Choices.” The Village Voice XL, no. 20, May 16, 1995, p. 8
Clarke, Donna. “Chowing with Mao”. New York Post, Monday, May 1, 1995, p. 23 Drucker, Johanna. “The Next Body: Displacements, Extensions, Relations”. Les Cahiers du Musee national d’art moderne,
Spring 1995
“1993 in Review: Alternative Spaces.” Art in America 82, no. 8, August 1994, p. 34.
Levin, Kim. “Choices.” The Village Voice, April 5, 1994, p. 73
Wallach, Amei. “An Exuberant Celebration of Life.” New York Newsday, Friday,
April 1, 1994
Larson, Kay. “The Garden of Sculptural Delights.” New York, March 28, 1994
Hicks, Robert. “Group seeks to wed sculpture and theater.” The Village, March 23, 1994
Smith, Roberta. “Examining Culture Through its Castoffs.” The New York Times, Sunday, November 28,
1993, pp. 39, 44
Robinson, Julia. “Flesh Art.” World Art, November 1993
Bulka, Michael. “The Nature of the Machine.” New Art Examiner, September 1993,pp. 30- 31
Zimmer, William. “How Physics is Raised to Metaphysics in a Real Art Ways Show in Hartford.” The
New York Times, July 4, 1993
Hess, Elizabeth. “Give Me Fever.” The Village Voice, December 29, 1993, p. 95 Kimmelman, Michael. “Promising Start at a New Location.” The New York Times, December 18, 1994
Egert, Robert, “Roxy Paine at Test-Site.” Breukele 1, January 1992
Sellers, Terry. “Review”. Artist Proof, Fall 1991, pp. 4-6 1990 Blake, Kit. “Review.” Word of Mouth,
September 1990, p. 5