News

SEVEN-ish, Seriously Funny at The Boiler Mentioned in Mutual Art’s “Guide to Frieze Week, Spring Auctions, and Beyond in NY”

SEVEN-ish, Seriously Funny at The Boiler was mentioned in Mutual Art’s “Guide to Frieze Week, Spring Auctions, and Beyond in New York.”

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Pierogi’s Flat Files are Now Accessible to the Public

Pierogi’s flat files are now accessible to the public for viewing during our open hours of Wednesday-Sunday from 11-6. Please inquire with gallery staff about where and how to browse the flat files when you arrive.    

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“SEVEN-ish, Seriously Funny” at The Boiler Reviewed in Artnet News

Christian Viveros-Faune reviews SEVEN-ish, Seriously Funny at The Boiler for Artnet News. Read the full review here. The exhibition is also featured in “Your Go-To Guide for Art Fairs During Frieze Week” by Sarah Cascone for Artnet News. Read the full … Continue reading

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Ward Shelley’s “The Felicific Calculus” Reviewed in The New York Times by Roberta Smith

Ward Shelley’s “The Felicific Calculus” reviewed in The New York Times by Roberta Smith

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Ward Shelley’s “The Felicific Calculus” Mentioned in Droste Effect Magazine

Ward Shelley’s “The Felicific Calculus” mentioned in Droste Effect Magazine in a feature by Matilde Soligno  

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Four Walls Slide and Film Club at The Boiler May 10

Please join the Four Walls Slide and Film Club at The Boiler on May 10, beginning at 8pm, accompanied by the Film Club Band. The event is free and open to the public.

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Tony Fitzpatrick at the Depaul Art Museum, Chicago, IL

“The Secret Birds” by Tony Fitzpatrick will open at the Depaul Art Museum on May 12.

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Ward Shelley’s “The Felicific Calculus” Reviewed in Artforum

“The Felicific Calculus” by Ward Shelley was reviewed in Artforum. Read the full review here.  

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“Making Art Work,” a Post-Pratt Discussion, Taking Place at the Boiler Sunday, 17 April

“Making Art Work,” a Post-Pratt discussion, will be taking place at The Boiler on Sunday, 17 April, at 4pm. The closing reception of Babylone – U.S.A will follow at 6pm.

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Mark Lombardi’s work in The Nation

Mark Lombardi’s work referenced in discussion of the ‘Panama Papers’ in The Nation

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